{"id":1247,"date":"2021-06-18T17:00:00","date_gmt":"2021-06-18T17:00:00","guid":{"rendered":"https:\/\/boitran.com\/en\/?p=1247"},"modified":"2026-05-10T14:31:06","modified_gmt":"2026-05-10T14:31:06","slug":"christies-paris-women-in-art-from-the-xvith-to-the-xxist-century-or-boi-tran-when-a-singular-presence-from-vietnam-does-not-remain-in-the-shadows","status":"publish","type":"post","link":"https:\/\/boitran.com\/vi\/christies-paris-women-in-art-from-the-xvith-to-the-xxist-century-or-boi-tran-when-a-singular-presence-from-vietnam-does-not-remain-in-the-shadows\/","title":{"rendered":"Christie\u2019s Paris | Ph\u1ee5 N\u1eef Trong Ngh\u1ec7 Thu\u1eadt T\u1eeb Th\u1ebf K\u1ef7 XVI \u0110\u1ebfn Th\u1ebf K\u1ef7 XXI, Hay B\u1ed9i Tr\u00e2n: M\u1ed9t Hi\u1ec7n Di\u1ec7n Duy Nh\u1ea5t T\u1eeb Vi\u1ec7t Nam Kh\u00f4ng C\u00f2n \u1ede Trong V\u00f9ng Khu\u1ea5t"},"content":{"rendered":"<h2>\n\t\t\tChristie&#8217;s Paris | Women in Art From the XVIth to the XXIst Century, or Boi Tran: When a Singular Presence from Vietnam Does Not Remain in the Shadows \t<\/h2>\n<h5  data-animation-delay=\"0\" data-animation-duration=\"1\">\n\t\t\tChristie&#8217;s Paris\t<\/h5>\n\t<p>Th\u00e1ng 6 n\u0103m 2021, Christie's Paris t\u1ed5 ch\u1ee9c phi\u00ean \u0111\u1ea5u gi\u00e1 \u0111\u1ea7u ti\u00ean d\u00e0nh ri\u00eang cho c\u00e1c n\u1eef ngh\u1ec7 s\u0129, tr\u1ea3i d\u00e0i qua n\u0103m th\u1ebf k\u1ef7. Trong to\u00e0n c\u1ea3nh \u1ea5y, ch\u1ec9 c\u00f3 m\u1ed9t n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam hi\u1ec7n di\u1ec7n: B\u1ed9i Tr\u00e2n. T\u00e1c ph\u1ea9m s\u01a1n m\u00e0i c\u1ee7a b\u00e0 kh\u00f4ng xu\u1ea5t hi\u1ec7n nh\u01b0 m\u1ed9t ngo\u1ea1i l\u1ec7, m\u00e0 nh\u01b0 m\u1ed9t ph\u1ea7n c\u1ee7a d\u00f2ng ti\u1ebfp n\u1ed1i, m\u1ed9t hi\u1ec7n di\u1ec7n \u0111\u00e3 th\u00e0nh h\u00ecnh, b\u01b0\u1edbc v\u00e0o m\u1ed9t tr\u01b0\u1eddng nh\u00ecn r\u1ed9ng l\u1edbn h\u01a1n. Trong m\u1ed9t phi\u00ean \u0111\u1ea5u gi\u00e1 nh\u1eb1m soi s\u00e1ng nh\u1eefng g\u00ec t\u1eebng khu\u1ea5t l\u1ea5p, s\u1ef1 xu\u1ea5t hi\u1ec7n \u1ea5y kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t ph\u00e1t hi\u1ec7n, m\u00e0 l\u00e0 m\u1ed9t s\u1ef1 m\u1edf ra l\u1eb7ng l\u1ebd.<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/IMG_2251-scaled.jpg\" alt=\"Christie's Paris, France: Women in Art, 16 June 2021\" height=\"1440\" width=\"2560\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Christie&#8217;s Paris, France: Women in Art, 16 June 2021<\/figcaption>\n\t<\/figure>\n\t<p>In June 2021, Christie&#8217;s Paris presented, for the first time in France, a sale dedicated entirely to women artists, spanning five centuries of artistic production, from the 16th to the 21st century.<\/p>\n<p>Trong to\u00e0n c\u1ea3nh r\u1ed9ng l\u1edbn \u1ea5y, n\u01a1i nh\u1eefng t\u00ean tu\u1ed5i \u0111\u00e3 \u0111\u1ecbnh h\u00ecnh l\u1ecbch s\u1eed h\u1ed9i h\u1ecda \u0111\u1ee9ng c\u1ea1nh nh\u1eefng g\u01b0\u01a1ng m\u1eb7t v\u1eeba \u0111\u01b0\u1ee3c khai m\u1edf, ch\u1ec9 c\u00f3 m\u1ed9t n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam xu\u1ea5t hi\u1ec7n: B\u1ed9i Tr\u00e2n.<\/p>\n<p class=\"translation-block\">T\u00e1c ph\u1ea9m s\u01a1n m\u00e0i Sourie (2019) c\u1ee7a b\u00e0 kh\u00f4ng hi\u1ec7n di\u1ec7n nh\u01b0 m\u1ed9t ngo\u1ea1i l\u1ec7. N\u00f3 \u0111\u01b0\u1ee3c \u0111\u1eb7t v\u00e0o trong m\u1ed9t d\u00f2ng ch\u1ea3y, gi\u1eefa nh\u1eefng h\u1ecda s\u0129, nh\u00e0 v\u0103n v\u00e0 nh\u1eefng ng\u01b0\u1eddi s\u00e1ng t\u1ea1o \u0111\u00e3, qua th\u1eddi gian, \u0111\u1ecbnh h\u00ecnh l\u1ea1i v\u1ecb th\u1ebf c\u1ee7a n\u1eef gi\u1edbi trong ngh\u1ec7 thu\u1eadt.<\/p>\n<p>\u00dd ngh\u0129a c\u1ee7a kho\u1ea3nh kh\u1eafc \u1ea5y kh\u00f4ng n\u1eb1m \u1edf s\u1ef1 hi\u1ec7n di\u1ec7n \u0111\u01a1n thu\u1ea7n.<\/p>\n<p>In a sale conceived to reconsider the place of women artists, many of whom had remained in the shadows of history, Boi Tran&#8217;s presence emerges not as a rediscovery, but as a continuation, a practice already formed, already lived, entering a wider field of visibility.<\/p>\n<p>Ng\u00f4n ng\u1eef s\u01a1n m\u00e0i c\u1ee7a b\u00e0 kh\u00f4ng b\u1ed9c l\u1ed9 ngay t\u1ee9c kh\u1eafc. B\u1ec1 m\u1eb7t kh\u00f4ng t\u1ef1 ph\u01a1i b\u00e0y. N\u00f3 h\u1ea5p th\u1ee5 th\u1eddi gian, c\u1eed ch\u1ec9, v\u00e0 s\u1ef1 l\u1eb7p l\u1ea1i. \u0110i\u1ec1u hi\u1ec7n ra kh\u00f4ng ch\u1ec9 l\u00e0 h\u00ecnh \u1ea3nh, m\u00e0 l\u00e0 m\u1ed9t tr\u1ea1ng th\u00e1i, \u0111\u01b0\u1ee3c k\u1ebft tinh qua s\u1ef1 ch\u00fa t\u00e2m.<\/p>\n<p>Trong \u0111\u00f3, c\u00f3 th\u1ec3 c\u1ea3m nh\u1eadn m\u1ed9t d\u01b0 \u00e2m xa c\u1ee7a nh\u1eefng th\u1ebf h\u1ec7 h\u1ecda s\u0129 Vi\u1ec7t Nam tr\u01b0\u1edbc \u0111\u00f3, nh\u1eefng ng\u01b0\u1eddi t\u1eebng \u0111i qua ranh gi\u1edbi gi\u1eefa truy\u1ec1n th\u1ed1ng v\u00e0 \u0111\u1ed5i m\u1edbi, gi\u1eefa di s\u1ea3n v\u00e0 nhu c\u1ea7u t\u00e1i sinh.<\/p>\n<p>Sau L\u00ea Th\u1ecb L\u1ef1u, B\u1ed9i Tr\u00e2n hi\u1ec7n di\u1ec7n nh\u01b0 m\u1ed9t trong nh\u1eefng n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam hi\u1ebfm hoi c\u00f3 t\u00e1c ph\u1ea9m b\u01b0\u1edbc v\u00e0o th\u1ecb tr\u01b0\u1eddng ngh\u1ec7 thu\u1eadt qu\u1ed1c t\u1ebf, kh\u00f4ng nh\u01b0 m\u1ed9t \u0111\u1ee9t \u0111o\u1ea1n, m\u00e0 nh\u01b0 m\u1ed9t s\u1ef1 m\u1edf ra l\u1eb7ng l\u1ebd.<\/p>\n<p>If the sale at Christie&#8217;s sought to illuminate those long overlooked, it also revealed something else.<\/p>\n<p>R\u1eb1ng c\u00f3 nh\u1eefng hi\u1ec7n di\u1ec7n kh\u00f4ng ch\u1edd \u0111\u01b0\u1ee3c ph\u00e1t hi\u1ec7n. Ch\u00fang t\u1ed3n t\u1ea1i.<\/p>\n<p>V\u00e0 khi hi\u1ec7n ra, ch\u00fang kh\u00f4ng c\u1ea7n l\u1eddi b\u00e1o tr\u01b0\u1edbc, \u0111\u00e3 th\u00e0nh h\u00ecnh, \u0111\u00e3 t\u1ef1 \u0111\u1ecbnh v\u1ecb.<\/p>\n\t<p>Christie&#8217;s Paris: Press Release<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Remini20220303161323229.jpg\" alt=\"Christie's Paris\" height=\"900\" width=\"720\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Alice Chevrier\nSpecialist, Rare Books &amp; Manuscripts\u00a0<\/figcaption>\n\t<\/figure>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Remini20220303161425169.jpg\" alt=\"Christie's Paris\" height=\"900\" width=\"720\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>B\u00e9r\u00e9nice Verdier\nSpecialist, Old Master Paintings<\/figcaption>\n\t<\/figure>\n\t<blockquote><p>We are very proud to organise in France the first sale dedicated to women artists. In recent months, we have watched as events devoted to women artists were held by museums, including the exhibition &#8220;Peintres femmes, 1780-1830&#8221; at the Mus\u00e9e du Luxembourg, the upcoming exhibition at the Centre Pompidou, &#8220;Elles font l&#8217;abstraction&#8221; (Women in abstraction) and the Mooc (Massive Open Online Courses) created by the Centre Pompidou and the Mus\u00e9e d&#8217;Orsay through their collaboration with the Aware association. It seemed therefore a good moment for Christie&#8217;s Paris to organize a sale with this focus for the art market and we have had great support from consignors and colleagues. We have been able to assemble an impressive selection of works from different periods and mediums, which should widen the appeal to many collectors, with estimates ranging from 200 to 300,000 Euros. We hope that the sale will throw light on the careers of these women artists, some of whom have remained in the shadow for too long!<\/p><\/blockquote>\n\t<p>Tham Quan Tr\u1ef1c Tuy\u1ebfn: Old Masters, Women In Art &amp; Tri\u1ec3n L\u00e3m The Hekking Mona Lisa T\u1ea1i Paris<\/p>\n\t\t<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/824938416?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" width=\"1280\" height=\"720\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"Christie's Paris: Women in Art, 16 June 2021\"><\/iframe>\t\n\t<p>'Ph\u1ee5 N\u1eef Trong Ngh\u1ec7 Thu\u1eadt' (Women in Art) gi\u1edbi thi\u1ec7u m\u1ed9t tuy\u1ec3n ch\u1ecdn c\u00e1c t\u00e1c ph\u1ea9m ngh\u1ec7 thu\u1eadt \u0111\u01b0\u1ee3c k\u00fd t\u00ean \u0111\u1ed9c quy\u1ec1n b\u1edfi nh\u1eefng n\u1eef ngh\u1ec7 s\u0129 h\u00e0ng \u0111\u1ea7u. Phi\u00ean \u0111\u1ea5u gi\u00e1 mang t\u00ednh \u0111\u1ed9t ph\u00e1 n\u00e0y m\u1eddi g\u1ecdi ng\u01b0\u1eddi xem kh\u00e1m ph\u00e1 n\u0103m th\u1ebf k\u1ef7 ngh\u1ec7 thu\u1eadt, bao g\u1ed3m h\u1ed9i h\u1ecda, trang s\u1ee9c, nhi\u1ebfp \u1ea3nh, thi\u1ebft k\u1ebf, s\u00e1ch v\u00e0 b\u1ea3n th\u1ea3o, th\u1eddi trang c\u1ed5 \u0111i\u1ec3n, tranh in, b\u1ea3n v\u1ebd v\u00e0 \u0111i\u00eau kh\u1eafc.<\/p>\n\t<p>T\u1ed5ng Quan Phi\u00ean \u0110\u1ea5u Gi\u00e1<\/p>\n\t<p>L\u1ea7n \u0111\u1ea7u ti\u00ean, Christie\u2019s t\u1ea1i Ph\u00e1p t\u1ed5 ch\u1ee9c m\u1ed9t phi\u00ean \u0111\u1ea5u gi\u00e1 d\u00e0nh ri\u00eang cho c\u00e1c n\u1eef ngh\u1ec7 s\u0129, quy t\u1ee5 kho\u1ea3ng m\u1ed9t tr\u0103m l\u00f4, tr\u1ea3i d\u00e0i qua nhi\u1ec1u th\u1ebf k\u1ef7. Tuy\u1ec3n ch\u1ecdn bao g\u1ed3m h\u1ed9i h\u1ecda c\u1ed5 \u0111i\u1ec3n, ngh\u1ec7 thu\u1eadt \u0111\u01b0\u01a1ng \u0111\u1ea1i, t\u00e1c ph\u1ea9m tr\u00ean gi\u1ea5y, pastel, nhi\u1ebfp \u1ea3nh, th\u1eddi trang cao c\u1ea5p, s\u00e1ch v\u00e0 b\u1ea3n th\u1ea3o, tranh in, truy\u1ec7n tranh, trang s\u1ee9c, thi\u1ebft k\u1ebf v\u00e0 ngh\u1ec7 thu\u1eadt trang tr\u00ed, n\u01a1i c\u00e1c t\u00ean tu\u1ed5i danh ti\u1ebfng c\u00f9ng xu\u1ea5t hi\u1ec7n b\u00ean c\u1ea1nh nh\u1eefng ngh\u1ec7 s\u0129 tr\u01b0\u1edbc \u0111\u00e2y \u00edt \u0111\u01b0\u1ee3c ch\u00fa \u00fd.<\/p>\n\u0110\u1ea5u gi\u00e1: 16 th\u00e1ng 6, 2021, 17:00<br \/>\nExhibition: June 12 &#8211; 15, 2021, 10:00 AM &#8211; 6:00 PM (free entrance)<br \/>\nVenue: Christie&#8217;s, 9 avenue Matignon, 75008 Paris, France\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/IMG_1771.jpg\" alt=\"Christie's Paris\" height=\"787\" width=\"1212\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Louyse Moillon (1610-1696),\u00a0Still life with peaches and grapes, 1636. Oil on canvas. 66 x 99,5 cm. (26 x 39 1\/16 in.).\nEstimate \u20ac300,000 &#8211; 500,000.<\/figcaption>\n\t<\/figure>\n\t<p class=\"translation-block\">Paris \u2013 L\u1ea7n \u0111\u1ea7u ti\u00ean, Christie\u2019s t\u1ea1i Ph\u00e1p s\u1ebd t\u1ed5 ch\u1ee9c m\u1ed9t phi\u00ean \u0111\u1ea5u gi\u00e1 d\u00e0nh ri\u00eang cho c\u00e1c n\u1eef ngh\u1ec7 s\u0129, bao qu\u00e1t m\u1ecdi ch\u1ea5t li\u1ec7u, t\u1eeb h\u1ed9i h\u1ecda c\u1ed5 v\u00e0 hi\u1ec7n \u0111\u1ea1i, \u0111i\u00eau kh\u1eafc, s\u00e1ch v\u00e0 th\u01b0 c\u00f3 ch\u1eef k\u00fd, nhi\u1ebfp \u1ea3nh, tranh kh\u1eafc, thi\u1ebft k\u1ebf, trang s\u1ee9c, \u0111\u1ebfn th\u1eddi trang. To\u00e0n c\u1ea3nh n\u00e0y nh\u1eb1m t\u00f4n vinh c\u00e1c n\u1eef ngh\u1ec7 s\u0129 ho\u1ea1t \u0111\u1ed9ng trong su\u1ed1t n\u0103m th\u1ebf k\u1ef7, thu\u1ed9c nhi\u1ec1u qu\u1ed1c t\u1ecbch kh\u00e1c nhau, t\u1ea5t c\u1ea3 \u0111\u1ec1u \u0111\u00e3 \u0111\u1ec3 l\u1ea1i d\u1ea5u \u1ea5n trong l\u1ecbch s\u1eed ngh\u1ec7 thu\u1eadt, t\u1eeb th\u1ebf k\u1ef7 XVI \u0111\u1ebfn XXI.<\/p>\n\t<p class=\"translation-block\">Phi\u00ean \u0111\u1ea5u gi\u00e1 t\u1eadp trung v\u00e0o c\u00e1c ngh\u1ec7 s\u0129 th\u1ebf k\u1ef7 XVI, XVII v\u00e0 XVIII, nh\u1eefng ng\u01b0\u1eddi th\u01b0\u1eddng b\u1ecb \u0111\u1ed1i x\u1eed kh\u00f4ng c\u00f4ng b\u1eb1ng trong l\u1ecbch s\u1eed ngh\u1ec7 thu\u1eadt. Trong ph\u1ea7n h\u1ed9i h\u1ecda c\u1ed5 \u0111i\u1ec3n, m\u1ed9t t\u00e1c ph\u1ea9m tuy\u1ec7t \u0111\u1eb9p c\u1ee7a Louyse Moillon (1610\u20131696), Still life (1636), v\u1edbi m\u1ee9c \u01b0\u1edbc t\u00ednh \u20ac300.000\u2013500.000, l\u00e0 \u0111i\u1ec3m nh\u1ea5n c\u1ee7a phi\u00ean \u0111\u1ea5u gi\u00e1. L\u00e0 m\u1ed9t trong nh\u1eefng b\u1eadc th\u1ea7y c\u1ee7a th\u1ec3 lo\u1ea1i t\u0129nh v\u1eadt tr\u00e1i c\u00e2y, Louyse Moillon l\u00e0 m\u1ed9t trong s\u1ed1 \u00edt n\u1eef h\u1ecda s\u0129 th\u1ebf k\u1ef7 XVII t\u1ea1i Ph\u00e1p m\u00e0 t\u00e1c ph\u1ea9m ng\u00e0y nay \u0111\u00e3 \u0111\u01b0\u1ee3c x\u00e1c \u0111\u1ecbnh r\u00f5 r\u00e0ng. T\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c \u0111\u01b0a ra \u0111\u1ea5u gi\u00e1 c\u00f3 ni\u00ean \u0111\u1ea1i v\u00e0 ch\u1eef k\u00fd, cho ph\u00e9p c\u00e1c h\u1ecdc gi\u1ea3 \u0111\u1ecbnh v\u1ecb ch\u00ednh x\u00e1c trong t\u1ed5ng th\u1ec3 s\u1ef1 nghi\u1ec7p v\u1edbi ch\u1ec9 69 t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c quy g\u00e1n ch\u1eafc ch\u1eafn. Ch\u1ee7 ngh\u0129a hi\u1ec7n th\u1ef1c t\u1ec9 m\u1ec9, n\u00e9t b\u00fat ch\u00ednh x\u00e1c, m\u00e0u s\u1eafc phong ph\u00fa v\u00e0 kh\u1ea3 n\u0103ng th\u1ec3 hi\u1ec7n \u0111\u1ed9 m\u1ec1m m\u1ea1i hay trong su\u1ed1t c\u1ee7a tr\u00e1i c\u00e2y l\u00e0 minh ch\u1ee9ng cho tr\u00ecnh \u0111\u1ed9 b\u1eadc th\u1ea7y c\u1ee7a b\u00e0, m\u1ed9t di s\u1ea3n ch\u1ecbu \u1ea3nh h\u01b0\u1edfng t\u1eeb ngh\u1ec7 thu\u1eadt Flemish v\u00e0 \u0111\u01b0\u1ee3c c\u1ee7ng c\u1ed1 qua s\u1ef1 ti\u1ebfp x\u00fac v\u1edbi c\u00e1c h\u1ecda s\u0129 H\u00e0 Lan t\u1ea1i Saint-Germain.<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Screen-Shot-2022-03-03-at-20.51.00.jpg\" alt=\"Christie's Paris\" height=\"1124\" width=\"924\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Anne Vallayer-Coster\u00a0(1744-1818),\u00a0Vase of Flowers and Grapes on Entablature, 1781. Oil on canvas. 46 x 38 cm. (18 1\/8 x 14 7\/8 in.).\nEstimate \u20ac150,000 &#8211; 250,000<\/figcaption>\n\t<\/figure>\n\t<p>Further highlights include a delicate autumnal composition by\u00a0Anne Vallayer-Coster\u00a0(1744-1818),\u00a0Vase of Flowers and Grapes on Entablature\u00a0(1781), estimated at \u20ac150,000 &#8211; 250,000, executed during the artist&#8217;s mature period, after her admission to the Royal Academy of Painting and Sculpture. In an excellent state of conservation, the work has never been presented at auction and has not been exhibited since its last appearance at an exhibition in London in 1954. An artist of great modernity recognized by her peers, she inspired the Impressionists, notably Fantin La Tour.<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Screen-Shot-2022-03-03-at-21.19.07.jpg\" alt=\"Christie's Paris\" height=\"1172\" width=\"1172\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Elisabeth Louise Vig\u00e9e Le Brun (1755-1842), Portrait of a woman in red dress. Oil on canvas. 64,5 x 54 cm. (25 3\/8 x 21 3\/8 in.).\nEstimate \u20ac80,000 &#8211; 120,000<\/figcaption>\n\t<\/figure>\n\t<p>Another important work in the section is a beautiful\u00a0Portrait of a Woman\u00a0by\u00a0Elisabeth Vigee Le Brun\u00a0(1755-1842). Counted among the greatest portraitists of her time, the artist was successively the painter of the court of France, the Kingdom of Naples, the Court of the Emperor of Vienna and finally the Emperor of Russia. This is a rediscovery, as the work has never been published or offered for sale. Estimated at \u20ac80,000 &#8211; 120,000, collectors should be seduced by this beautiful testimony of the artist&#8217;s Parisian period.<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Screen-Shot-2022-03-03-at-21.30.22.jpg\" alt=\"Christie's Paris\" height=\"1191\" width=\"827\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Lavinia Fontana (1552-1614), Portrait of a young boy, full-length with a dog. Oil on canvas. 228 x 146 cm. (89 \u00bd x 57 \u00bd in.).\nEstimate \u20ac60,000 &#8211; 100,000<\/figcaption>\n\t<\/figure>\n\t<p>Lavinia Fontana (1552-1614), an Italian painter who imposed her talent and erudition in the 16th\u00a0century as the first woman artist elected to the Academy of Fine Arts in Rome, offers here in\u00a0full-length portrait of a young boy with a dog\u00a0(1585-1590) a fine example of her art. A preparatory drawing for this painting is in the Uffizi Museum in Florence. The portrait is estimated at \u20ac60,000 &#8211; 100,000.<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Screen-Shot-2022-03-03-at-21.50.56.jpg\" alt=\"Christie's Paris\" height=\"1234\" width=\"1645\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Maison Duvinage, Plateau Au Coq, Vers 1880, Pi\u00e9tement : H.: 44 cm. ( 17 \u00bc in.) ; L.: 77 cm. (30 \u00bc in.); P.: 49 cm. (19 \u00bc in.)\nEstimate \u20ac25,000 &#8211; 40,000<\/figcaption>\n\t<\/figure>\n\t<p>Phi\u00ean \u0111\u1ea5u gi\u00e1 c\u0169ng s\u1ebd bao g\u1ed3m m\u1ed9t ph\u1ea7n d\u00e0nh ri\u00eang cho ngh\u1ec7 thu\u1eadt trang tr\u00ed, trong \u0111\u00f3 c\u00f3 chi\u1ebfc khay marquetry tinh x\u1ea3o do b\u00e0 g\u00f3a Duvinage th\u1ef1c hi\u1ec7n. \u0110\u00e2y l\u00e0 m\u1ed9t trong nh\u1eefng s\u00e1ng t\u00e1c \u0111\u1ed9c \u0111\u00e1o nh\u1ea5t c\u1ee7a th\u1eadp ni\u00ean 1870. Ch\u1ecbu \u1ea3nh h\u01b0\u1edfng c\u1ee7a ngh\u1ec7 thu\u1eadt Nh\u1eadt B\u1ea3n, c\u1ea3 v\u1ec1 k\u1ef9 thu\u1eadt l\u1eabn bi\u1ec3u t\u01b0\u1ee3ng h\u1ecdc, t\u00e1c ph\u1ea9m \u0111\u1ed3ng th\u1eddi, qua h\u00ecnh th\u1ee9c c\u1ee7a m\u00ecnh, c\u0169ng ph\u1ea3n \u00e1nh t\u00ednh chi\u1ebft trung \u0111\u1eb7c tr\u01b0ng c\u1ee7a cu\u1ed1i th\u1ebf k\u1ef7 XIX.<sup>th<\/sup>\u00a0century.<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Screen-Shot-2022-03-03-at-22.04.43.jpg\" alt=\"Christie's Paris\" height=\"1210\" width=\"847\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>George Sand, Amantine Lucile Aurore Dupin, dite (Paris 1804-1876 Nohant-Vic). 8 pages (205 x 135 mm).\nEstimate \u20ac6,000 &#8211; 8,000<\/figcaption>\n\t<\/figure>\n\t<p>The Rare Books and Manuscripts department will offer a magnificent 8-pages letter by\u00a0George Sand\u00a0(1804-1876) addressed to Gustave Flaubert, estimated at \u20ac6,000 &#8211; 8,000. The writer changed her name to that of a man to ensure her work was more widely read. This letter-confession is one of the most beautiful and moving of George Sand&#8217;s correspondence: &#8220;Your letters fall on me like a rain that wets, and makes what is in germ in the ground grow right away&#8230; &#8221; she wrote. Collectors will also be able to purchase a letter which has never been published from\u00a0Edith Piaf\u00a0(1915-1963) to her lover, the Italian-French actor Yves Montand, estimated at \u20ac2,000 &#8211; 3,000, that she wrote to him while on tour in the North of France. She announced their breakup, after receiving a telegram from Montand saying &#8220;You may be right &#8211; I am too young for you &#8211; Wishing you with all my heart the happiness you deserve.&#8221;<\/p>\n\t<p>In the field of science, women have also worked in a revolutionary way, and\u00a0Marie Curie\u00a0(1867-1934) is perhaps one of the most important figures, especially thanks to her thesis (1903) devoted to radioactivity which enabled her to obtain the Nobel Prize in Physics, six months after its publication. Estimated at \u20ac10,000 &#8211; 15,000, scientific bibliophiles will certainly be aware of the historical value of the book, offered in its first edition and signed by her hand.<\/p>\n\t<p>Dorothea Tanning\u00a0(1910-2012) is represented in this sale through her engraved masterpiece:\u00a0The seven spectral perils\u00a0(\u20ac25,000 &#8211; 35,000). Produced in 1950, these 7 surrealist lithographs in exceptional condition will be presented in their original portfolio. The edition includes only 50 copies, some of which are already in the collections of the greatest international museums (MOMA, Reina Sofia, Smithsonian American Art Museum).<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/Screen-Shot-2022-03-03-at-22.15.06.jpg\" alt=\"Christie's Paris\" height=\"1135\" width=\"913\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Maria Helena Vieira da Silva (Lisbonne 1908-1992 Paris), La ville, la nuit 1978. Oil on canvas. 41 x 32 cm. (16 1\/8 x 12 5\/8 in.).\nEstimate \u20ac30,000 &#8211; 50,000<\/figcaption>\n\t<\/figure>\n\t<p class=\"translation-block\">C\u00e1c t\u00ean tu\u1ed5i quan tr\u1ecdng kh\u00e1c c\u1ee7a th\u1ebf k\u1ef7 XX nh\u01b0 Niki de Saint Phalle (1930\u20132002), Sarah Morris (1967), Dora Maar (1907\u20131997), Sheila Hicks (1934) v\u00e0 Maria Helena Vieira da Silva (1908\u20131992) c\u0169ng s\u1ebd g\u00f3p m\u1eb7t trong phi\u00ean \u0111\u1ea5u gi\u00e1. T\u00e1c ph\u1ea9m La ville, la nuit (minh h\u1ecda b\u00ean ph\u1ea3i) c\u1ee7a Vieira da Silva, v\u1edbi m\u1ee9c \u01b0\u1edbc t\u00ednh \u20ac30.000 \u2013 50.000, l\u00e0 m\u1ed9t trong nh\u1eefng \u0111i\u1ec3m nh\u1ea5n c\u1ee7a ph\u1ea7n ngh\u1ec7 thu\u1eadt th\u1ebf k\u1ef7 XX. T\u00e1c ph\u1ea9m n\u00e0y xu\u1ea5t ph\u00e1t t\u1eeb b\u1ed9 s\u01b0u t\u1eadp c\u1ee7a Max-Pol Fouchet, m\u1ed9t nh\u00e2n v\u1eadt v\u0103n h\u00f3a n\u1ed5i ti\u1ebfng, nh\u00e0 th\u01a1, ti\u1ec3u thuy\u1ebft gia, s\u1eed gia ngh\u1ec7 thu\u1eadt, nh\u00e0 ph\u00ea b\u00ecnh v\u0103n h\u1ecdc v\u00e0 \u00e2m nh\u1ea1c, \u0111\u1ed3ng th\u1eddi c\u0169ng l\u00e0 m\u1ed9t g\u01b0\u01a1ng m\u1eb7t quen thu\u1ed9c tr\u00ean s\u00f3ng ph\u00e1t thanh v\u00e0 truy\u1ec1n h\u00ecnh. \u0110\u00e2y l\u00e0 m\u00f3n qu\u00e0 m\u00e0 ngh\u1ec7 s\u0129 d\u00e0nh t\u1eb7ng \u00f4ng sau l\u1ea7n g\u1eb7p g\u1ee1 trong qu\u00e1 tr\u00ecnh quay m\u1ed9t b\u1ed9 phim t\u00e0i li\u1ec7u v\u1ec1 ch\u00ednh b\u00e0.<\/p>\n\t<p>Fashion will also be represented with a few pieces by the daring avant-garde couturier\u00a0Elsa Schiaparelli, from her personal archives and recorded by her granddaughter Marisa Berenson, as well as a few dresses by the famous\u00a0Madame Gres, including a draped dress from the 1930s that was exhibited in the major retrospective &#8220;La couture \u00e0 l&#8217;\u0153uvre&#8221; at the Bourdelle Museum in 2011. The art of jewelry will also be presented with a splendid necklace, made by the surrealist artist\u00a0Leonor Fini, estimated at \u20ac10,000-15,000. It is a true sculpture-necklace stylizing &#8220;Horns&#8221; in yellow gold, wearable as a head jewel or a torque necklace.<\/p>\n\t<p>Finally, Christie&#8217;s will give\u00a0carte blanche\u00a0to\u00a0Ines Longevial\u00a0(born in 1990) who will occupy an exhibition space in parallel with the presale exhibition. In\u00e8s Longevial executes drawings and paintings in resonance with impressions, feelings, sensations from which she naturally extracts the palette. The artist approaches her memories in color and gives form to candid and absorbed faces. If, in the artist&#8217;s work, faces often become the site of whimsical ornamentation, finding their roots in a patchwork of bright colors through, this new series tends towards greater simplicity and plays above all on chromatic variations. The silent attitude of this woman, declined in several ranges of colors and caught in a convoluted set of arms is inspired by several women artists such as Dorothea Tanning, Leonor Fini. The exhibition is created in collaboration with the Ketabi Projects gallery.<\/p>\n<figure data-animation-delay=\"0\" data-animation-duration=\"1\" itemscope itemtype=\"https:\/\/schema.org\/ImageObject\">\n\t\t\t\t<img decoding=\"async\" src=\"https:\/\/boitran.com\/wp-content\/uploads\/2021\/06\/IMG_1084-2.jpg\" alt=\"Christie's Paris\" height=\"1134\" width=\"1133\" onerror=\"this.style.display='none'\" loading=\"lazy\" \/>\n\t\t<figcaption>Boi Tran (Vietnam, B. 1957)\nSourie\nsigned and dated &#8216;Btran 2019&#8217; (lower left)\nlacquer on panel\n100 x 100 cm. (39 1\/4 x 39 1\/4 in.)\nPainted in 2019\nEstimate: EUR 4,000 &#8211; EUR 6,000\nPrice realized: EUR 11,875<\/figcaption>\n\t<\/figure>\n\t<p class=\"translation-block\">C\u00e1c n\u1eef ngh\u1ec7 s\u0129 v\u00e0 nh\u00e0 v\u0103n kh\u00e1c g\u00f3p m\u1eb7t trong phi\u00ean \u0111\u1ea5u gi\u00e1 bao g\u1ed3m: Carole Benzaken, Claude Cahun, Anne Vallayer-Coster, Marie Curie, Dadamaino, Sonia Delaunay, Veuve Duvinage, Lavinia Fontana, Leonor Fini, Sarah Morris, Maria Lai, Marie Laurencin, Vernon Lee, Suzette Lemaire, Dora Maar, Louyse Moillon, Berthe Morisot, Meret Oppenheim, Alice Paalen, Alicia Penalba, Maria Pergay, Edith Piaf, JIANG Qiong Er, Bettina Rheims, Ayako Rokkaku, Niki de Saint Phalle, George Sand, Claire Stansfi, Dorothea Tanning, B\u1ed9i Tr\u00e2n, \u00c9lisabeth Vig\u00e9e Le Brun, Ren\u00e9e Vivien.<\/p>\n\t<p><strong>B\u1ed9i Tr\u00e2n, n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam duy nh\u1ea5t, c\u00f3 t\u00e1c ph\u1ea9m \u0111\u01b0\u1ee3c gi\u1edbi thi\u1ec7u trong phi\u00ean \u0111\u1ea5u gi\u00e1 \u0111\u1eb7c bi\u1ec7t n\u00e0y.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"<p>Th\u00e1ng 6 n\u0103m 2021, Christie's Paris t\u1ed5 ch\u1ee9c phi\u00ean \u0111\u1ea5u gi\u00e1 \u0111\u1ea7u ti\u00ean d\u00e0nh ri\u00eang cho c\u00e1c n\u1eef ngh\u1ec7 s\u0129, tr\u1ea3i d\u00e0i qua n\u0103m th\u1ebf k\u1ef7. Trong to\u00e0n c\u1ea3nh \u1ea5y, ch\u1ec9 c\u00f3 m\u1ed9t n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam hi\u1ec7n di\u1ec7n: B\u1ed9i Tr\u00e2n. T\u00e1c ph\u1ea9m s\u01a1n m\u00e0i c\u1ee7a b\u00e0 kh\u00f4ng xu\u1ea5t hi\u1ec7n nh\u01b0 m\u1ed9t ngo\u1ea1i l\u1ec7, m\u00e0 nh\u01b0 m\u1ed9t ph\u1ea7n c\u1ee7a d\u00f2ng ti\u1ebfp n\u1ed1i, m\u1ed9t hi\u1ec7n di\u1ec7n \u0111\u00e3 th\u00e0nh h\u00ecnh, b\u01b0\u1edbc v\u00e0o m\u1ed9t tr\u01b0\u1eddng nh\u00ecn r\u1ed9ng l\u1edbn h\u01a1n. Trong m\u1ed9t phi\u00ean \u0111\u1ea5u gi\u00e1 nh\u1eb1m soi s\u00e1ng nh\u1eefng g\u00ec t\u1eebng khu\u1ea5t l\u1ea5p, s\u1ef1 xu\u1ea5t hi\u1ec7n \u1ea5y kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t ph\u00e1t hi\u1ec7n, m\u00e0 l\u00e0 m\u1ed9t s\u1ef1 m\u1edf ra l\u1eb7ng l\u1ebd.<\/p>","protected":false},"author":4,"featured_media":4064,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[183,184,9],"tags":[90,91,17,80,116],"class_list":["post-1247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-culture","category-publications","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-christies","tag-paris"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/1247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=1247"}],"version-history":[{"count":67,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/1247\/revisions"}],"predecessor-version":[{"id":8168,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/1247\/revisions\/8168"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/4064"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=1247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=1247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=1247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}