{"id":2820,"date":"2017-10-26T18:49:00","date_gmt":"2017-10-26T18:49:00","guid":{"rendered":"https:\/\/boitran.com\/?p=2820"},"modified":"2026-04-28T15:50:38","modified_gmt":"2026-04-28T15:50:38","slug":"shanghai-pujiang-southeast-asia-culture-and-art-exchange-center-president-zhang-zhi-yong-celebrates-boi-trans-solo-exhibition-le-reve-qui-veille","status":"publish","type":"post","link":"https:\/\/boitran.com\/vi\/shanghai-pujiang-southeast-asia-culture-and-art-exchange-center-president-zhang-zhi-yong-celebrates-boi-trans-solo-exhibition-le-reve-qui-veille\/","title":{"rendered":"Shanghai Pujiang Southeast Asia Culture and Art Exchange Center President Zhang Zhi Yong Celebrates Boi Tran’s Solo Exhibition: Le R\u00eave Qui Veille"},"content":{"rendered":"

\n\t\t\tShanghai Pujiang Southeast Asia Culture and Art Exchange Center President Zhang Zhi Yong Celebrates Boi Tran’s Solo Exhibition: Le R\u00eave Qui Veille\t<\/h2>\n\t

In October 2017, Mr Zhang Zhi Yong, President of the Shanghai Pujiang Southeast Asia Culture and Art Exchange Center, and Mrs Zhang Jing came to Boi Tran Garden to celebrate Boi Tran’s solo exhibition Le R\u00eave Qui Veille (The Watchful Dream). Their visit reflected a larger conversation between Hue, Shanghai, and the growing international regard for Vietnamese art.<\/p>\n

\n\t\t\t\t\"President\n\t\t
\u00d4ng Zhang Zhi Yong v\u00e0 Ngh\u1ec7 s\u0129 B\u1ed9i Tr\u00e2n, Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n, n\u0103m 2017.<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Thuc-Doan\n\t\t
Th\u1ee5c \u0110oan \/ Bem, \u00d4ng Louis Hoang, B\u00e0 Zhang Jing, Kh\u00e1nh-An, \u00d4ng Zhang Zhi Yong, Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n, n\u0103m 2017.<\/figcaption>\n\t<\/figure>\n\t

Mr Zhang Zhi Yong arrived at Boi Tran Garden in October 2017 with the attentive air of a man accustomed to looking closely. Beside him was Mrs Zhang Jing. They had come to Hue for an occasion both personal and public: the celebration of Boi Tran’s sixtieth year and the opening of her solo exhibition Le R\u00eave Qui Veille (The Watchful Dream, V\u1eeba M\u01a1 V\u1eeba M\u1edf M\u1eaft) on 26 October 2017.<\/p>\n

Nh\u1eefng chuy\u1ebfn gh\u00e9 th\u0103m nh\u01b0 th\u1ebf t\u1eeb l\u00e2u \u0111\u00e3 thu\u1ed9c v\u1ec1 nh\u1ecbp s\u1ed1ng t\u1ef1 nhi\u00ean c\u1ee7a Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n. Kh\u00f4ng ch\u1ec9 l\u00e0 m\u1ed9t t\u01b0 gia, c\u0169ng kh\u00f4ng ch\u1ec9 l\u00e0 n\u01a1i tri\u1ec3n l\u00e3m, n\u01a1i \u0111\u00e2y \u0111\u00e3 tr\u1edf th\u00e0nh m\u1ed9t ng\u00f4i nh\u00e0 v\u0103n h\u00f3a, n\u01a1i h\u1ed9i h\u1ecda, h\u1ecdc thu\u1eadt, k\u00fd \u1ee9c, \u1ea9m th\u1ef1c, chuy\u1ec7n tr\u00f2 v\u00e0 t\u00ecnh b\u1eb1ng h\u1eefu g\u1eb7p nhau trong m\u1ed9t \u0111\u1eddi s\u1ed1ng sinh \u0111\u1ed9ng. Kh\u00e1ch \u0111\u1ebfn kh\u00f4ng ch\u1ec9 gh\u00e9 th\u0103m m\u1ed9t \u0111\u1ecba \u0111i\u1ec3m, m\u00e0 b\u01b0\u1edbc v\u00e0o m\u1ed9t kh\u00f4ng kh\u00ed \u0111\u01b0\u1ee3c vun b\u1ed3i qua nhi\u1ec1u n\u0103m th\u00e1ng.<\/p>\n

\u00d4ng Zhang Zhi Yong, Ch\u1ee7 t\u1ecbch Trung t\u00e2m Giao l\u01b0u V\u0103n h\u00f3a v\u00e0 Ngh\u1ec7 thu\u1eadt \u0110\u00f4ng Nam \u00c1 Ph\u1ed1 Giang Th\u01b0\u1ee3ng H\u1ea3i, kh\u00f4ng ph\u1ea3i m\u1ed9t v\u1ecb kh\u00e1ch th\u00f4ng th\u01b0\u1eddng. V\u1edbi t\u01b0 c\u00e1ch nh\u00e0 s\u01b0u t\u1eadp, nh\u00e0 nghi\u00ean c\u1ee9u v\u00e0 ng\u01b0\u1eddi k\u1ebft n\u1ed1i v\u0103n h\u00f3a, \u00f4ng t\u1eeb l\u00e2u \u0111\u00e3 d\u00e0nh s\u1ef1 quan t\u00e2m b\u1ec1n b\u1ec9 cho m\u1ef9 thu\u1eadt Vi\u1ec7t Nam. B\u1ed9 s\u01b0u t\u1eadp c\u1ee7a \u00f4ng g\u1ed3m t\u00e1c ph\u1ea9m c\u1ee7a L\u00ea Ph\u1ed5, Mai Trung Th\u1ee9, Nguy\u1ec5n Trung, B\u1ed9i Tr\u00e2n c\u00f9ng nhi\u1ec1u t\u00ean tu\u1ed5i kh\u00e1c, nh\u1eefng ng\u01b0\u1eddi \u0111\u00e3 vi\u1ebft n\u00ean c\u00e1c ch\u01b0\u01a1ng quan tr\u1ecdng c\u1ee7a h\u1ed9i h\u1ecda Vi\u1ec7t Nam th\u1ebf k\u1ef7 hai m\u01b0\u01a1i.<\/p>\n

V\u00ec v\u1eady, s\u1ef1 hi\u1ec7n di\u1ec7n c\u1ee7a \u00f4ng t\u1ea1i Hu\u1ebf mang \u00fd ngh\u0129a v\u01b0\u1ee3t ngo\u00e0i ph\u00e9p x\u00e3 giao. \u0110i\u1ec1u \u1ea5y g\u1ee3i n\u00ean m\u1ed9t s\u1ef1 nh\u00ecn nh\u1eadn: r\u1eb1ng nh\u1eefng nh\u00e0 s\u01b0u t\u1eadp nghi\u00eam t\u00fac \u1edf n\u01b0\u1edbc ngo\u00e0i \u0111ang h\u01b0\u1edbng v\u1ec1 Vi\u1ec7t Nam kh\u00f4ng ph\u1ea3i nh\u1ea5t th\u1eddi, m\u00e0 b\u1eb1ng chi\u1ec1u s\u00e2u, s\u1ef1 ki\u00ean nh\u1eabn v\u00e0 tinh th\u1ea7n kh\u1ea3o c\u1ee9u.<\/p>\n

For Boi Tran, the title Le R\u00eave Qui Veille held its own quiet declaration. A dream that remains awake. Imagination without escape. Inner life disciplined by consciousness. The phrase describes not only an exhibition, but an artistic temperament formed through years of work, solitude and fidelity to one’s own language.<\/p>\n

S\u1ef1 ki\u1ec7n tri\u1ec3n l\u00e3m \u1ea5y ngay trong ch\u00ednh kh\u00f4ng gian c\u1ee7a Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n c\u00e0ng th\u00eam t\u01b0\u01a1ng x\u1ee9ng. Ch\u00ednh n\u01a1i ch\u1ed1n n\u00e0y t\u1eeb l\u00e2u c\u0169ng mang d\u00e1ng d\u1ea5p c\u1ee7a m\u1ed9t gi\u1ea5c m\u01a1 nh\u01b0 th\u1ebf: tr\u1eef t\u00ecnh, t\u1ec9nh t\u00e1o, g\u1ea7n g\u0169i v\u00e0 lu\u00f4n m\u1edf m\u1eaft tr\u01b0\u1edbc c\u00e1i \u0111\u1eb9p.<\/p>\n

\n\t\t\t\t\"Zhang\"\n\t\t
International exhibition “Bringing The World Together – Quintessence Sharing”<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Zhang\"\n\t\t
International exhibition “Bringing The World Together – Quintessence Sharing”<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Zhang\n\t\t
International exhibition “Bringing The World Together – Quintessence Sharing”<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Zhang\"\n\t\t
International exhibition “Bringing The World Together – Quintessence Sharing”<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Zhang\"\n\t\t
International exhibition “Bringing The World Together – Quintessence Sharing”<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Zhang\"\n\t\t
International exhibition “Bringing The World Together – Quintessence Sharing”<\/figcaption>\n\t<\/figure>\n\t

The wider significance of Mr Zhang’s engagement would become even clearer in later years. From 1 to 6 November 2021, Shanghai hosted the international exhibition Bringing The World Together – Quintessence Sharing, organized with the cooperation of the China Foreign Relations Association and related institutions. Held at Magnolia Plaza, the tallest commercial building in Puxi, the exhibition brought important artworks into the daily movement of the city rather than confining them to closed specialist spaces.<\/p>\n

Forty-six works by eighteen artists from countries and regions connected to the Belt and Road initiative were shown, including Vietnam, Myanmar, Germany, France, Italy, the Netherlands and South Africa. Among the Vietnamese masters represented were Le Pho, Mai Trung Thu and Nguyen Trung. L\u00ea Ph\u1ed5’s Flower Arrangement received particular distinction.<\/p>\n

T\u1ea1i Di\u1ec5n \u0111\u00e0n Ngh\u1ec7 thu\u1eadt Qu\u1ed1c t\u1ebf trong ng\u00e0y khai m\u1ea1c, \u00f4ng Zhang gi\u1edbi thi\u1ec7u m\u1ef9 thu\u1eadt \u0110\u00f4ng Nam \u00c1 tr\u01b0\u1edbc c\u00e1c v\u1ecb l\u00e3nh \u0111\u1ea1o, ngh\u1ec7 s\u0129, nh\u00e0 s\u01b0u t\u1eadp v\u00e0 kh\u00e1ch m\u1eddi. \u00d4ng \u0111\u1eb7c bi\u1ec7t n\u00f3i v\u1ec1 phong c\u00e1ch, th\u00e0nh t\u1ef1u v\u00e0 v\u1ecb tr\u00ed l\u1ecbch s\u1eed c\u1ee7a L\u00ea Ph\u1ed5, Mai Trung Th\u1ee9 v\u00e0 Nguy\u1ec5n Trung, \u0111\u1eb7t h\u1ecd trong c\u1ea3 b\u1ed1i c\u1ea3nh m\u1ef9 thu\u1eadt Vi\u1ec7t Nam l\u1eabn qu\u1ed1c t\u1ebf.<\/p>\n

His commitment was equally visible in publishing. On 26 December 2020, Nguyen Trung Works was launched in Shanghai on the artist’s eightieth year. The result of five years of research across Vietnam, Myanmar, China, France and the United States, the volume assembled 115 works created between 1970 and 2018, together with recollections from collectors and scholars, and a long interview on the artist’s life and practice.<\/p>\n

L\u00e0 cu\u1ed1n s\u00e1ch quy m\u00f4 \u0111\u1ea7u ti\u00ean t\u1ea1i Trung Qu\u1ed1c kh\u1ea3o c\u1ee9u c\u00f3 h\u1ec7 th\u1ed1ng v\u1ec1 Nguy\u1ec5n Trung, \u0111\u00e2y l\u00e0 m\u1ed9t d\u1ea5u m\u1ed1c \u0111\u00e1ng k\u1ec3 trong vi\u1ec7c nghi\u00ean c\u1ee9u m\u1ef9 thu\u1eadt Vi\u1ec7t Nam hi\u1ec7n \u0111\u1ea1i tr\u00ean b\u00ecnh di\u1ec7n qu\u1ed1c t\u1ebf.<\/p>\n

Nh\u00ecn trong vi\u1ec5n c\u1ea3nh r\u1ed9ng h\u01a1n, chuy\u1ebfn th\u0103m Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n n\u0103m 2017 v\u01b0\u1ee3t kh\u1ecfi m\u1ed9t k\u1ef7 ni\u1ec7m giao ti\u1ebfp th\u00f4ng th\u01b0\u1eddng. N\u00f3 thu\u1ed9c v\u1ec1 chu\u1ed7i giao l\u01b0u v\u0103n h\u00f3a nghi\u00eam t\u00fac: m\u1ed9t nh\u00e0 s\u01b0u t\u1eadp t\u1eeb Th\u01b0\u1ee3ng H\u1ea3i, m\u1ed9t n\u1eef h\u1ecda s\u0129 \u1edf Hu\u1ebf, nh\u1eefng cu\u1ed9c tri\u1ec3n l\u00e3m n\u01a1i xa, nh\u1eefng tr\u01b0\u1edbc t\u00e1c, nh\u1eefng cu\u1ed9c \u0111\u00e0m \u0111\u1ea1o, nh\u1eefng t\u00ecnh b\u1eb1ng h\u1eefu, v\u00e0 s\u1ef1 lan r\u1ed9ng ch\u1eadm r\u00e3i nh\u01b0ng b\u1ec1n ch\u1eafc c\u1ee7a m\u1ed1i quan t\u00e2m d\u00e0nh cho Vi\u1ec7t Nam.<\/p>\n

Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n t\u1eeb l\u00e2u hi\u1ec3u r\u1eb1ng ngh\u1ec7 thu\u1eadt kh\u00f4ng ch\u1ec9 \u0111i qua th\u1ecb tr\u01b0\u1eddng hay b\u1ea3o t\u00e0ng. Ngh\u1ec7 thu\u1eadt c\u00f2n \u0111i qua t\u00edn nhi\u1ec7m, l\u00f2ng hi\u1ebfu kh\u00e1ch, nh\u1eefng cu\u1ed9c tr\u00f2 chuy\u1ec7n ri\u00eang, v\u00e0 nh\u1eefng ng\u00f4i nh\u00e0 n\u01a1i v\u0103n h\u00f3a \u0111\u01b0\u1ee3c s\u1ed1ng ch\u1ee9 kh\u00f4ng ph\u1ea3i d\u00e0n d\u1ef1ng.<\/p>\n\u00d4ng Zhang Zhi Yong v\u00e0 b\u00e0 Zhang Jing \u0111\u1ebfn \u0111\u1ec3 ch\u00fac m\u1eebng \u201cV\u1eeba M\u01a1 V\u1eeba M\u1edf M\u1eaft\u201d. \u0110\u1ed3ng th\u1eddi, c\u00f3 l\u1ebd kh\u00f4ng c\u1ea7n n\u00f3i th\u00e0nh l\u1eddi, h\u1ecd c\u0169ng kh\u1eb3ng \u0111\u1ecbnh r\u1eb1ng Hu\u1ebf v\u1eabn hi\u1ec7n di\u1ec7n tr\u00ean t\u1ea5m b\u1ea3n \u0111\u1ed3 r\u1ed9ng l\u1edbn c\u1ee7a ngh\u1ec7 thu\u1eadt.\n

\n\t\t\t\t\"\"nguyen\n\t\t
“Nguyen Trung Works” was published on the occasion of the artist’s 80 years of age and released on December 26, 2020, in Shanghai. <\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"\"nguyen\n\t\t
“Nguyen Trung Works” was published on the occasion of the artist’s 80 years of age and released on December 26, 2020, in Shanghai. <\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"\"nguyen\n\t\t
“Nguyen Trung Works” was published on the occasion of the artist’s 80 years of age and released on December 26, 2020, in Shanghai. <\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"\"nguyen\n\t\t
“Nguyen Trung Works” was published on the occasion of the artist’s 80 years of age and released on December 26, 2020, in Shanghai. <\/figcaption>\n\t<\/figure>\n\t

His commitment was equally visible in publishing. On 26 December 2020, Nguyen Trung Works was launched in Shanghai on the artist’s eightieth year. The result of five years of research across Vietnam, Myanmar, China, France and the United States, the volume assembled 115 works created between 1970 and 2018, together with recollections from collectors and scholars, and a long interview on the artist’s life and practice.<\/p>\n

L\u00e0 cu\u1ed1n s\u00e1ch quy m\u00f4 \u0111\u1ea7u ti\u00ean t\u1ea1i Trung Qu\u1ed1c kh\u1ea3o c\u1ee9u c\u00f3 h\u1ec7 th\u1ed1ng v\u1ec1 Nguy\u1ec5n Trung, \u0111\u00e2y l\u00e0 m\u1ed9t d\u1ea5u m\u1ed1c \u0111\u00e1ng k\u1ec3 trong vi\u1ec7c nghi\u00ean c\u1ee9u m\u1ef9 thu\u1eadt Vi\u1ec7t Nam hi\u1ec7n \u0111\u1ea1i tr\u00ean b\u00ecnh di\u1ec7n qu\u1ed1c t\u1ebf.<\/p>\n

Nh\u00ecn trong vi\u1ec5n c\u1ea3nh r\u1ed9ng h\u01a1n, chuy\u1ebfn th\u0103m Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n n\u0103m 2017 v\u01b0\u1ee3t kh\u1ecfi m\u1ed9t k\u1ef7 ni\u1ec7m giao ti\u1ebfp th\u00f4ng th\u01b0\u1eddng. N\u00f3 thu\u1ed9c v\u1ec1 chu\u1ed7i giao l\u01b0u v\u0103n h\u00f3a nghi\u00eam t\u00fac: m\u1ed9t nh\u00e0 s\u01b0u t\u1eadp t\u1eeb Th\u01b0\u1ee3ng H\u1ea3i, m\u1ed9t n\u1eef h\u1ecda s\u0129 \u1edf Hu\u1ebf, nh\u1eefng cu\u1ed9c tri\u1ec3n l\u00e3m n\u01a1i xa, nh\u1eefng tr\u01b0\u1edbc t\u00e1c, nh\u1eefng cu\u1ed9c \u0111\u00e0m \u0111\u1ea1o, nh\u1eefng t\u00ecnh b\u1eb1ng h\u1eefu, v\u00e0 s\u1ef1 lan r\u1ed9ng ch\u1eadm r\u00e3i nh\u01b0ng b\u1ec1n ch\u1eafc c\u1ee7a m\u1ed1i quan t\u00e2m d\u00e0nh cho Vi\u1ec7t Nam.<\/p>\n

Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n t\u1eeb l\u00e2u hi\u1ec3u r\u1eb1ng ngh\u1ec7 thu\u1eadt kh\u00f4ng ch\u1ec9 \u0111i qua th\u1ecb tr\u01b0\u1eddng hay b\u1ea3o t\u00e0ng. Ngh\u1ec7 thu\u1eadt c\u00f2n \u0111i qua t\u00edn nhi\u1ec7m, l\u00f2ng hi\u1ebfu kh\u00e1ch, nh\u1eefng cu\u1ed9c tr\u00f2 chuy\u1ec7n ri\u00eang, v\u00e0 nh\u1eefng ng\u00f4i nh\u00e0 n\u01a1i v\u0103n h\u00f3a \u0111\u01b0\u1ee3c s\u1ed1ng ch\u1ee9 kh\u00f4ng ph\u1ea3i d\u00e0n d\u1ef1ng.<\/p>\n\u00d4ng Zhang Zhi Yong v\u00e0 b\u00e0 Zhang Jing \u0111\u1ebfn \u0111\u1ec3 ch\u00fac m\u1eebng \u201cV\u1eeba M\u01a1 V\u1eeba M\u1edf M\u1eaft\u201d. \u0110\u1ed3ng th\u1eddi, c\u00f3 l\u1ebd kh\u00f4ng c\u1ea7n n\u00f3i th\u00e0nh l\u1eddi, h\u1ecd c\u0169ng kh\u1eb3ng \u0111\u1ecbnh r\u1eb1ng Hu\u1ebf v\u1eabn hi\u1ec7n di\u1ec7n tr\u00ean t\u1ea5m b\u1ea3n \u0111\u1ed3 r\u1ed9ng l\u1edbn c\u1ee7a ngh\u1ec7 thu\u1eadt.","protected":false},"excerpt":{"rendered":"

Th\u00e1ng M\u01b0\u1eddi n\u0103m 2017, \u00f4ng Zhang Zhi Yong, Ch\u1ee7 t\u1ecbch Trung t\u00e2m Giao l\u01b0u V\u0103n h\u00f3a v\u00e0 Ngh\u1ec7 thu\u1eadt \u0110\u00f4ng Nam \u00c1 Ph\u1ed1 Giang Th\u01b0\u1ee3ng H\u1ea3i, c\u00f9ng B\u00e0 Zhang Jing \u0111\u1ebfn Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n \u0111\u1ec3 ch\u00fac m\u1eebng tri\u1ec3n l\u00e3m c\u00e1 nh\u00e2n Le R\u00eave Qui Veille (V\u1eeba M\u01a1 V\u1eeba M\u1edf M\u1eaft). Chuy\u1ebfn th\u0103m \u1ea5y g\u1ee3i m\u1edf m\u1ed1i giao c\u1ea3m r\u1ed9ng h\u01a1n gi\u1eefa Hu\u1ebf, Th\u01b0\u1ee3ng H\u1ea3i v\u00e0 s\u1ef1 quan t\u00e2m ng\u00e0y c\u00e0ng s\u00e2u s\u1eafc d\u00e0nh cho m\u1ef9 thu\u1eadt Vi\u1ec7t Nam.<\/p>","protected":false},"author":2,"featured_media":6286,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,27,32,9],"tags":[90,91,17,130,131],"class_list":["post-2820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-culture","category-event","category-exhibition","category-stories","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-shanghai-pujiang-southeast-asia-culture-and-art-exchange-center","tag-zhang-zhi-yong"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/2820","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=2820"}],"version-history":[{"count":21,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/2820\/revisions"}],"predecessor-version":[{"id":8216,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/2820\/revisions\/8216"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/6286"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=2820"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=2820"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=2820"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}