{"id":4402,"date":"1995-10-15T06:57:00","date_gmt":"1995-10-15T06:57:00","guid":{"rendered":"https:\/\/boitran.com\/?p=4402"},"modified":"2026-04-03T11:53:14","modified_gmt":"2026-04-03T11:53:14","slug":"boi-tran-art-gallery-in-trinh-cong-sons-epilogue-a-tender-monument-remembered","status":"publish","type":"post","link":"https:\/\/boitran.com\/vi\/boi-tran-art-gallery-in-trinh-cong-sons-epilogue-a-tender-monument-remembered\/","title":{"rendered":"Ph\u00f2ng Tranh B\u1ed9i Tr\u00e2n Trong L\u1eddi H\u1eadu Ng\u00f5 C\u1ee7a Tr\u1ecbnh C\u00f4ng S\u01a1n: M\u1ed9t T\u01b0\u1ee3ng \u0110\u00e0i D\u1ecbu D\u00e0ng C\u00f2n L\u1ea1i"},"content":{"rendered":"

\n\t\t\tBoi Tran Art Gallery in Trinh Cong Son’s Epilogue: A Tender Monument Remembered\t<\/h2>\n

\n\t\t\tTr\u1ecbnh C\u00f4ng S\u01a1n\t<\/h5>\n
\n\t\t\t\t\"Trinh\n\t\t
Trinh Cong Son – Vietnamese Musician<\/figcaption>\n\t<\/figure>\n\t

Whether small or not, Boi Tran Art Gallery is a monument in the city; its appearance will be remembered for ever. Returning to the old city…, to this art gallery, one feels that as he or she is coming back to see a sweetheart, who one will miss and love and never forget for a moment.<\/p>\n\t

Kh\u00f4ng ph\u1ea3i m\u1ecdi t\u01b0\u1ee3ng \u0111\u00e0i \u0111\u1ec1u \u0111\u01b0\u1ee3c d\u1ef1ng n\u00ean t\u1eeb \u0111\u00e1. C\u00f3 nh\u1eefng t\u01b0\u1ee3ng \u0111\u00e0i h\u00ecnh th\u00e0nh t\u1eeb c\u1ea3m x\u00fac, t\u1eeb s\u1ef1 nh\u1eadn ra l\u1eb7ng l\u1ebd gi\u1eefa m\u1ed9t n\u01a1i ch\u1ed1n v\u00e0 nh\u1eefng ng\u01b0\u1eddi b\u01b0\u1edbc v\u00e0o \u0111\u00f3. Ch\u00fang kh\u00f4ng tuy\u00ean b\u1ed1 s\u1ef1 tr\u01b0\u1eddng t\u1ed3n, nh\u01b0ng v\u1eabn l\u01b0u l\u1ea1i.<\/p>\nIn 1995, within the refined yet time-worn setting of the Saigon Morin Hotel, Boi Tran Art Gallery emerged in such a manner. It did not impose itself upon Hue, nor did it seek to redefine the city. Instead, it entered softly into its atmosphere, aligning with something already present, an unspoken longing for a place where beauty might gather and be shared.\nThe inaugural exhibition brought together a generation of artists whose works had shaped the artistic and poetic language of Vietnam, Nguyen Trung, Hoang Dang Nhuan, Trinh Cong Son, Tran Van Thao, Do Hoang Tuong, Nguyen Tan Cuong, Hong Viet Dung, Do Quang Em, Dang Xuan Hoa, Ho Huu Thu, Truong Be, Vinh Phoi, Buu Chi, Dinh Cuong, Tran Luu Hau. Yet what unfolded was not simply an exhibition, but a moment of recognition.\nIt was Trinh Cong Son who perceived this most intuitively. Writing the epilogue for the occasion, he approached Boi Tran Art Gallery not as a structure, but as a presence. His words do not describe. They dwell. They move between memory and feeling, between the visible and the remembered.\nFor him, the gallery did not stand apart from the city. It entered its inner life. It became something one returns to, as one returns to a beloved presence.\n\t

L\u1eddi h\u1eadu ng\u00f5 c\u1ee7a \u00f4ng \u0111\u01b0\u1ee3c l\u01b0u gi\u1eef tr\u1ecdn v\u1eb9n d\u01b0\u1edbi \u0111\u00e2y:<\/p>\n\t

H\u1eadu Ng\u00f5<\/p>\n\t

Trong m\u1ed9t th\u00e0nh ph\u1ed1 c\u00f3 m\u1ed9t Gallery nh\u01b0 trong t\u00e2m h\u1ed3n c\u00f3 m\u1ed9t h\u00ecnh b\u00f3ng \u0111\u1eb9p. C\u00e1i \u0111i\u1ec7u ch\u01a1i sang tr\u1ecdng n\u00e0y l\u00e0m sang th\u00eam con ng\u01b0\u1eddi x\u1ee9 s\u1edf v\u00e0 c\u00e0ng l\u00e0m qu\u00fd ph\u1ea3i h\u01a1n c\u00e1i gi\u1ea5c ng\u1ee7 c\u1ed5 k\u00ednh c\u1ee7a nh\u1eefng c\u1ed9t k\u00e8o, c\u1ea5y c\u1ecf, \u0111\u1ed3 v\u1eadt m\u1ed9t kinh th\u00e0nh x\u01b0a.<\/p>\nRight here, at the Boi Tran Art Gallery, not with sudden sadness, but with delightful emotion, with thankful laughs in the sun for the as a dreamful dream as we have expected in time.\nRight here, in the sun along with mythological dreams, there seems to be a solid vanity, life and death, so the pain in sorrow would be subsided.\nUpon walking along a corridor and visualizing the silky world over the whole world, we would be living together, sharing and gazing at this unforgettable scene. So doubtful that we can’t help wondering the world we are now living in.\nWhether small or not, this art gallery is a monument in the city; its appearance will be remembered for ever.\nReturning to the old city…, to this art gallery, one feels that as he or she is coming back to see a sweetheart, who one will miss and love and never forget for a moment.\n\t

Tr\u1ecbnh C\u00f4ng S\u01a1n<\/strong><\/p>\n\t

\u0110i\u1ec1u m\u00e0 Tr\u1ecbnh C\u00f4ng S\u01a1n nh\u1eadn ra kh\u00f4ng n\u1eb1m \u1edf quy m\u00f4, m\u00e0 \u1edf s\u1ef1 hi\u1ec7n di\u1ec7n. M\u1ed9t ph\u00f2ng tranh c\u00f3 th\u1ec3 t\u1ed3n t\u1ea1i trong kh\u00f4ng gian, nh\u01b0ng ch\u1ec9 hi\u1ebfm khi tr\u1edf th\u00e0nh m\u1ed9t ph\u1ea7n c\u1ee7a k\u00fd \u1ee9c.<\/p>\nFrom its earliest moment, Boi Tran Art Gallery belonged to this rarer condition. It did not seek permanence through structure, but through attachment. It became something one might miss, something one might return to, something that continues to live beyond its physical form.\nThis sensibility endures today at Boi Tran Garden. The transformation is not one of expansion, but of deepening. Art does not separate itself from life. Architecture does not assert dominance. Nothing seeks to impress.\nEverything remains available to be felt.\nIn this way, what was once written as an epilogue has never truly concluded. It continues, quietly, as presence.","protected":false},"excerpt":{"rendered":"

M\u1ed9t Ph\u00f2ng Tranh B\u1ed9i Tr\u00e2n, d\u00f9 nh\u1ecf, c\u0169ng l\u00e0 m\u1ed9t t\u01b0\u1ee3ng \u0111\u00e0i trong th\u00e0nh ph\u1ed1. \u0110\u01b0\u1ee3c d\u1ef1ng l\u00ean r\u1ed3i, h\u00e3y \u0111\u1ec3 n\u00f3 \u0111\u1ee9ng ngh\u00ecn n\u0103m. V\u1ec1 th\u0103m l\u1ea1i m\u1ed9t th\u00e0nh ph\u1ed1 c\u1ed5, \u0111\u1ebfn v\u1edbi Ph\u00f2ng Tranh nh\u01b0 \u0111\u1ebfn v\u1edbi m\u1ed9t ng\u01b0\u1eddi t\u00ecnh. L\u1ea1i l\u00e0 m\u1ed9t ng\u01b0\u1eddi t\u00ecnh kh\u00f4ng bao gi\u1edd ph\u1ee5 b\u1ea1c. Kh\u00f4ng y\u00eau n\u00f3 th\u00ec y\u00eau ai b\u00e2y gi\u1edd.<\/p>","protected":false},"author":2,"featured_media":5549,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,27,32,9],"tags":[90,91,17,113,112],"class_list":["post-4402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-culture","category-event","category-exhibition","category-stories","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-buu-y","tag-trinh-cong-son"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/4402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=4402"}],"version-history":[{"count":105,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/4402\/revisions"}],"predecessor-version":[{"id":8020,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/4402\/revisions\/8020"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/5549"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=4402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=4402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=4402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}