{"id":5163,"date":"2019-05-11T01:16:01","date_gmt":"2019-05-11T01:16:01","guid":{"rendered":"https:\/\/boitran.com\/?p=5163"},"modified":"2026-04-27T16:07:12","modified_gmt":"2026-04-27T16:07:12","slug":"ravenel-vietnamese-modern-art-or-the-architecture-of-elegance-and-the-discipline-of-beauty-in-boi-tran","status":"publish","type":"post","link":"https:\/\/boitran.com\/vi\/ravenel-vietnamese-modern-art-or-the-architecture-of-elegance-and-the-discipline-of-beauty-in-boi-tran\/","title":{"rendered":"Ravenel, M\u1ef9 Thu\u1eadt Hi\u1ec7n \u0110\u1ea1i Vi\u1ec7t Nam, hay Ki\u1ebfn Tr\u00fac c\u1ee7a Thanh Tao v\u00e0 K\u1ef7 Lu\u1eadt c\u1ee7a C\u00e1i \u0110\u1eb9p trong B\u1ed9i Tr\u00e2n"},"content":{"rendered":"

\n\t\t\tRavenel, M\u1ef9 Thu\u1eadt Hi\u1ec7n \u0110\u1ea1i Vi\u1ec7t Nam, hay Ki\u1ebfn Tr\u00fac c\u1ee7a Thanh Tao v\u00e0 K\u1ef7 Lu\u1eadt c\u1ee7a C\u00e1i \u0110\u1eb9p trong B\u1ed9i Tr\u00e2n\t<\/h2>\n

\n\t\t\tRavenel Taiwan\t<\/h5>\n
\n\t\t\t\t\"Ravenel:\n\t\t
Ravenel: Select Modern & Contemporary Art, Vietnamese Modern Art, 2019<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Ravenel:\n\t\t
Ravenel: Select Modern & Contemporary Art, Vietnamese Modern Art, 2019<\/figcaption>\n\t<\/figure>\n\t

B\u1ed9i Tr\u00e2n l\u00e0 m\u1ed9t trong s\u1ed1 \u00edt n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam n\u1ed5i b\u1eadt. Phong c\u00e1ch c\u1ee7a b\u00e0 ch\u1ecbu \u1ea3nh h\u01b0\u1edfng t\u1eeb ng\u01b0\u1eddi th\u1ea7y, Nguy\u1ec5n Trung. B\u00e0 c\u0169ng t\u1eebng l\u00e0 ng\u01b0\u1eddi m\u1eabu c\u1ee7a \u00f4ng, \u0111\u1ed3ng th\u1eddi l\u00e0 m\u1ed9t ngu\u1ed3n c\u1ea3m h\u1ee9ng s\u00e1ng t\u1ea1o quan tr\u1ecdng trong t\u00e1c ph\u1ea9m c\u1ee7a Nguy\u1ec5n Trung. B\u1ed9 ba s\u01a1n m\u00e0i Elegant in Hue c\u1ee7a B\u1ed9i Tr\u00e2n \u0111\u01b0\u1ee3c tr\u00ecnh b\u00e0y theo c\u1ea5u tr\u00fac triptych c\u1ed5 \u0111i\u1ec3n ch\u00e2u \u00c2u. T\u00e1c ph\u1ea9m kh\u1eafc h\u1ecda m\u1ed9t nh\u00f3m h\u00ecnh t\u01b0\u1ee3ng thi\u1ebfu n\u1eef, nh\u01b0 nh\u1eefng n\u1eef th\u1ea7n, \u0111ang d\u1ea1o b\u01b0\u1edbc, ng\u1ed3i v\u00e0 chuy\u1ec3n \u0111\u1ed9ng trong m\u1ed9t khu v\u01b0\u1eddn r\u1ef1c r\u1ee1. B\u1ed1 c\u1ee5c c\u1ee7a t\u00e1c ph\u1ea9m mang t\u00ednh \u0111\u1eb7c bi\u1ec7t v\u00e0 \u1ea5n t\u01b0\u1ee3ng.<\/p>\n

\n\t\t\t\t\"Ravenel:\n\t\t
El\u00e9gantes in Hu\u00e9 | lacquer on panel (triptych) | each 120 x 80 cm (47 1\/4 x 31 1\/2 in.), overall 120 x 240 cm (47 1\/4 x 94 1\/2 in.). Hammered Price: USD 15,189 at Ravenel: Select Modern & Contemporary Art, Vietnamese Modern Art, 2019<\/figcaption>\n\t<\/figure>\n\t

Trong phi\u00ean Select Modern & Contemporary Art, Ravenel \u0111\u1eb7t m\u1ef9 thu\u1eadt Vi\u1ec7t Nam hi\u1ec7n \u0111\u1ea1i v\u00e0o m\u1ed9t c\u1ea5u tr\u00fac r\u1ed9ng h\u01a1n, n\u01a1i l\u1ecbch s\u1eed v\u00e0 khu v\u1ef1c c\u00f9ng hi\u1ec7n di\u1ec7n. \u0110\u00f3 kh\u00f4ng ch\u1ec9 l\u00e0 s\u1ef1 gi\u1edbi thi\u1ec7u nh\u1eefng t\u00e1c ph\u1ea9m ri\u00eang l\u1ebb. M\u00e0 l\u00e0 m\u1ed9t n\u1ed7 l\u1ef1c \u0111\u1ecbnh v\u1ecb m\u1ed9t ng\u00f4n ng\u1eef t\u1ea1o h\u00ecnh \u0111\u01b0\u1ee3c h\u00ecnh th\u00e0nh qua nhi\u1ec1u l\u1edbp giao thoa, gi\u1eefa truy\u1ec1n th\u1ed1ng v\u00e0 \u1ea3nh h\u01b0\u1edfng ngo\u1ea1i lai, gi\u1eefa ti\u1ebfp n\u1ed1i v\u00e0 bi\u1ebfn chuy\u1ec3n.<\/p>\n

Vietnamese modern art emerges from a complex history. From the long proximity to Chinese culture, to the decisive transformation brought by French colonial education, particularly through the \u00c9cole des Beaux-Arts de l’Indochine, artistic practice evolved within a space of negotiation. Western academic principles were introduced. Yet silk and lacquer persisted. What followed was not imitation, but synthesis.<\/p>\n

M\u1ed9t ng\u00f4n ng\u1eef v\u1eeba ti\u1ebft ch\u1ebf, v\u1eeba tr\u1eef t\u00ecnh, n\u01a1i s\u1ef1 bi\u1ec3u \u0111\u1ea1t c\u1ee7a c\u00e1 t\u00ednh v\u1eabn hi\u1ec7n di\u1ec7n, d\u00f9 hi\u1ebfm khi hi\u1ec3n l\u1ed9 tr\u1ef1c ti\u1ebfp.<\/p>\n

Trong b\u1ed1i c\u1ea3nh \u1ea5y, tuy\u1ec3n l\u1ef1a c\u1ee7a Ravenel quy t\u1ee5 nhi\u1ec1u v\u1ecb tr\u00ed ngh\u1ec7 thu\u1eadt kh\u00e1c nhau, trong \u0111\u00f3 c\u00f3 Nguy\u1ec5n Trung, th\u01b0\u1eddng \u0111\u01b0\u1ee3c xem nh\u01b0 m\u1ed9t nh\u00e2n v\u1eadt ti\u00eau bi\u1ec3u c\u1ee7a h\u1ed9i h\u1ecda Vi\u1ec7t Nam.<\/p>\n

B\u00ean c\u1ea1nh d\u00f2ng ch\u1ea3y \u1ea5y, m\u1ed9t hi\u1ec7n di\u1ec7n kh\u00e1c l\u1eb7ng l\u1ebd hi\u1ec7n ra. B\u1ed9i Tr\u00e2n. T\u00e1c ph\u1ea9m c\u1ee7a b\u00e0, xu\u1ea5t hi\u1ec7n tr\u00ean b\u00eca catalogue, kh\u00f4ng \u0111\u1ed1i tho\u1ea1i v\u1edbi l\u1ecbch s\u1eed. N\u00f3 c\u01b0 tr\u00fa trong \u0111\u00f3. \u00c9l\u00e9gantes in Hu\u00e9, d\u01b0\u1edbi c\u1ea5u tr\u00fac b\u1ed9 ba mang \u00e2m h\u01b0\u1edfng c\u1ed5 \u0111i\u1ec3n ch\u00e2u \u00c2u, m\u1edf ra m\u1ed9t th\u1ebf gi\u1edbi kh\u00e1c. Nh\u1eefng thi\u1ebfu n\u1eef, b\u01b0\u1edbc \u0111i, ng\u1ed3i y\u00ean, hay chuy\u1ec3n \u0111\u1ed9ng nh\u1eb9, kh\u00f4ng ph\u1ea3i l\u00e0 nh\u00e2n v\u1eadt, m\u00e0 l\u00e0 nh\u1eefng tr\u1ea1ng th\u00e1i hi\u1ec7n h\u1eefu. Khu v\u01b0\u1eddn h\u1ecd hi\u1ec7n di\u1ec7n kh\u00f4ng ph\u1ea3i l\u00e0 n\u01a1i ph\u00f4 di\u1ec5n. M\u00e0 l\u00e0 n\u01a1i th\u1eddi gian l\u1eafng l\u1ea1i. B\u1ed1 c\u1ee5c kh\u00f4ng d\u1ef1a v\u00e0o ph\u1ee9c t\u1ea1p. M\u00e0 d\u1ef1a v\u00e0o c\u00e2n b\u1eb1ng. M\u1ed7i d\u00e1ng h\u00ecnh gi\u1eef v\u1ecb tr\u00ed c\u1ee7a m\u00ecnh. M\u1ed7i c\u1eed ch\u1ec9 \u0111\u1ec1u \u0111\u01b0\u1ee3c ti\u1ebft ch\u1ebf. Kh\u00f4ng c\u00f3 s\u1ef1 ph\u00e2n m\u1ea3nh. Ch\u1ec9 c\u00f3 s\u1ef1 ti\u1ebfp n\u1ed1i.<\/p>\n

In this, one may perceive the lasting influence of her teacher, Nguyen Trung. Not as imitation, but as transmission, a shared attention to the female form, not as object, but as a locus of presence. Yet, where his work often tends toward stylisation and abstraction, Boi Tran’s remains anchored in stillness. Her figures do not assert themselves. They endure. The use of lacquer reinforces this condition. It is a medium that resists immediacy. Built through layers, polished over time, it absorbs gesture rather than displaying it. What appears is not surface, but depth. Within the broader narrative proposed by Ravenel, Boi Tran’s position becomes clear.<\/p>\n

B\u00e0 kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t ngo\u1ea1i l\u1ec7.<\/p>\n

B\u00e0 chi\u1ebfm gi\u1eef m\u1ed9t v\u1ecb tr\u00ed v\u1eeba li\u00ean t\u1ee5c v\u1eeba \u0111\u01a1n nh\u1ea5t, l\u00e0 m\u1ed9t trong s\u1ed1 \u00edt n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam c\u00f3 t\u00e1c ph\u1ea9m b\u01b0\u1edbc v\u00e0o kh\u00f4ng gian \u0111\u1ea5u gi\u00e1 qu\u1ed1c t\u1ebf, \u0111\u1ed3ng th\u1eddi v\u1eabn duy tr\u00ec m\u1ed9t ng\u00f4n ng\u1eef bi\u1ec3u \u0111\u1ea1t ri\u00eang bi\u1ec7t, kh\u00f4ng th\u1ec3 nh\u1ea7m l\u1eabn. Theo ngh\u0129a \u0111\u00f3, s\u1ef1 hi\u1ec7n di\u1ec7n c\u1ee7a b\u00e0 trong phi\u00ean \u0111\u1ea5u gi\u00e1 n\u00e0y v\u01b0\u1ee3t l\u00ean tr\u00ean s\u1ef1 g\u00f3p m\u1eb7t \u0111\u01a1n thu\u1ea7n. N\u00f3 ph\u1ea3n \u00e1nh m\u1ed9t tr\u1ea1ng th\u00e1i. M\u1ed9t th\u1ef1c h\u00e0nh \u0111\u01b0\u1ee3c h\u00ecnh th\u00e0nh qua th\u1eddi gian, nay tr\u1edf n\u00ean kh\u1ea3 ki\u1ebfn trong m\u1ed9t tr\u01b0\u1eddng r\u1ed9ng l\u1edbn h\u01a1n.<\/p>\n

Kh\u00f4ng ph\u1ea3i m\u1ed9t s\u1ef1 xu\u1ea5t hi\u1ec7n \u0111\u1ed9t ng\u1ed9t. M\u00e0 l\u00e0 m\u1ed9t hi\u1ec7n h\u1eefu \u0111\u00e3 s\u1eb5n \u1edf \u0111\u00f3.<\/p>\n

\n\t\t\t\t\"Ravenel:\n\t\t
NGUYEN TRUNG (B. 1940), Lady, signed and dated ‘ng.Trung 2.90’ (lower right), oil on canvas, 94×94.5 cm, Executed in 1990<\/figcaption>\n\t<\/figure>\n
\n\t\t\t\t\"Ravenel:\n\t\t
Reclining Nude\nTrung NGUYEN (Vietnamese, 1940)\n1989\nOil on canvas\n80 x 80 cm<\/figcaption>\n\t<\/figure>\n\t

M\u1ef9 thu\u1eadt hi\u1ec7n \u0111\u1ea1i Vi\u1ec7t Nam mang m\u1ed9t c\u1ea3m quan th\u1ea9m m\u1ef9 \u0111\u1eb7c th\u00f9, h\u00ecnh th\u00e0nh t\u1eeb ch\u00ednh b\u1ed1i c\u1ea3nh l\u1ecbch s\u1eed c\u1ee7a \u0111\u1ea5t n\u01b0\u1edbc. V\u0103n h\u00f3a Vi\u1ec7t Nam kh\u00e1c bi\u1ec7t v\u1edbi c\u00e1c qu\u1ed1c gia \u0110\u00f4ng Nam \u00c1 ch\u1ecbu \u1ea3nh h\u01b0\u1edfng \u1ea4n \u0110\u1ed9 nh\u01b0 Campuchia, L\u00e0o hay Th\u00e1i Lan, \u0111\u1ed3ng th\u1eddi c\u0169ng kh\u00f4ng chia s\u1ebb nhi\u1ec1u \u0111i\u1ec3m t\u01b0\u01a1ng \u0111\u1ed3ng v\u1edbi c\u00e1c qu\u1ed1c gia M\u00e3 Lai nh\u01b0 Indonesia hay Malaysia. Chi\u1ebfn tranh v\u00e0 qu\u00e1 tr\u00ecnh thu\u1ed9c \u0111\u1ecba h\u00f3a ph\u01b0\u01a1ng T\u00e2y \u0111\u00e3 t\u00e1c \u0111\u1ed9ng s\u00e2u s\u1eafc \u0111\u1ebfn l\u1ecbch s\u1eed c\u1ee7a to\u00e0n b\u1ed9 khu v\u1ef1c \u0110\u00f4ng Nam \u00c1 v\u00e0 \u0110\u00f4ng \u00c1. L\u1ecbch s\u1eed c\u1eadn \u0111\u1ea1i c\u1ee7a Vi\u1ec7t Nam v\u00ec th\u1ebf ch\u1ea5t ch\u1ee9a m\u00e1u, n\u01b0\u1edbc m\u1eaft v\u00e0 nh\u1eefng m\u1ea5t m\u00e1t k\u00e9o d\u00e0i.<\/p>\n

Vietnam was called by its old name Jiaozhi and Annam before the name, “Vietnam”, was introduced in the 19th century. Ancient Vietnam had either been a territory or a vassal state of China. Due to close relations between the two countries since China’s Qin Dynasty, Vietnam and China shared a similar culture for thousands of years. In the mid-19th century, France invaded and colonized Vietnam. During World War II, it was also temporarily occupied by Japan.<\/p>\n

Tuy nhi\u00ean, l\u1ef1c l\u01b0\u1ee3ng c\u1ed9ng s\u1ea3n Vi\u1ec7t Nam \u0111\u00e3 l\u1eadt \u0111\u1ed5 ch\u00ednh quy\u1ec1n th\u1ef1c d\u00e2n Ph\u00e1p v\u00e0o n\u0103m 1945. T\u1eeb th\u1eadp ni\u00ean 1950, xung \u0111\u1ed9t gi\u1eefa mi\u1ec1n B\u1eafc, \u0111\u01b0\u1ee3c h\u1eadu thu\u1eabn b\u1edfi Trung Qu\u1ed1c c\u1ed9ng s\u1ea3n v\u00e0 mi\u1ec1n Nam, \u0111\u01b0\u1ee3c Hoa K\u1ef3 h\u1ed7 tr\u1ee3 \u0111\u00e3 d\u1eabn \u0111\u1ebfn s\u1ef1 b\u00f9ng n\u1ed5 c\u1ee7a Chi\u1ebfn tranh Vi\u1ec7t Nam. Cu\u1ed9c chi\u1ebfn k\u1ebft th\u00fac sau khi qu\u00e2n \u0111\u1ed9i Hoa K\u1ef3 r\u00fat lui n\u0103m 1973; \u0111\u1ebfn n\u0103m 1976, qu\u1ed1c gia th\u1ed1ng nh\u1ea5t ch\u00ednh th\u1ee9c mang t\u00ean C\u1ed9ng h\u00f2a X\u00e3 h\u1ed9i Ch\u1ee7 ngh\u0129a Vi\u1ec7t Nam. Cu\u1ed9c c\u1ea3i c\u00e1ch kinh t\u1ebf n\u0103m 1986 \u0111\u00e3 m\u1edf ra m\u1ed9t giai \u0111o\u1ea1n ph\u00e1t tri\u1ec3n m\u1edbi.<\/p>\n

Vietnamese modern art is very influenced by French culture due to centuries of French colonization. The colonial government founded the School of Fine Arts of Indochina (Ecole des beaux-arts de l’Indochine) in Hanoi in 1925. Western education was also implemented along with the introduction of classicalism and impressionism art. However, Vietnamese traditional art like silk painting and lacquer painting was retained and continued, which eventually evolved into a new style of modern art creation. Modern Vietnamese artists tend to emphasize the theme of individual freedom. However, the pristine custom causes a more implicit presentation. Located in a tropical area, Vietnam is an agriculture-based country. The fusion of tradition and western influences creates a harmonic and romantic art style for the Buddhist country.<\/p>\n

This auction introduces four distinctive Vietnamese artists. Trung Nguyen, known as “the father of Vietnamese abstract art”, is known for his abstract and realistic style in female-themed works. Influenced by Italian classic art, the expressions of the women he drew are stylized, and the bodies are just as smooth as Italian statues. Elegant compositions along with bright and harmonic colours show a spiritual beauty in the picture. Two of his earlier works, Seated Woman and Reclining Nude, present subjects in thinking and meditating posture, exhibiting a classic as well as contemporary style. His style stands as a breakthrough among other artists from the same era, which perfectly describes his unique personality.<\/p>\n

 <\/p>\n

Boi Tran is one of the few outstanding Vietnamese female artists. Her style is heavily influenced by her teacher, Trung Nguyen. She also worked as Nguyen’s model, serving as a source of creative inspiration for Nguyen. Tran’s Elegant in Hue trilogy is presented in a classical European triptych form. They depict a group of beautiful goddesses strolling, sitting and dancing in a glorious garden. The composition of the piece is extraordinary and spectacular.<\/p>\n

Boi Tran was born in 1957. She learnt basic painting skills from Trung Nguyen, one of the greatest contemporary painters and lacquer artists of Vietnam. Tran is best known for her lacquer pieces. She makes use of triptych and tetraptych. Her artistic expression shows a great similarity with his teacher Trung Nguyen. Both the teacher and the student are skilful in capturing the beauty of women and representing characteristic Vietnamese sensibility and aesthetics. Tran often depicts graceful women wearing traditional Vietnamese dress \u00e1o dai. Some of them are gazing into the distance and the others looking down at the flowers, but all are calm and elegant. One of Tran’s solo exhibitions was held in 2004 at Minh Chau Art Gallery, Hanoi. In recent years, she has mainly exhibited at her own gallery opened in 1998 at Boi Tran Garden on Thien An Hill about 10 kilometres southwest of Hue.<\/p>\n\t

Select: Modern & Contemporary Art<\/strong><\/p>\n

Ravenel Spring Auction 2019<\/strong><\/p>\n

Saturday, June 1, 2019, 2:00pm<\/strong><\/p>\nGrand Space 3F, Taipei Marriott Hotel<\/strong>
\nNo. 199, Lequn 2nd Rd., ZhongShan Dist., Taipei City, Taiwan<\/strong>","protected":false},"excerpt":{"rendered":"

B\u1ed9i Tr\u00e2n l\u00e0 m\u1ed9t trong s\u1ed1 \u00edt n\u1eef ngh\u1ec7 s\u0129 Vi\u1ec7t Nam n\u1ed5i b\u1eadt. Phong c\u00e1ch c\u1ee7a b\u00e0 ch\u1ecbu \u1ea3nh h\u01b0\u1edfng t\u1eeb ng\u01b0\u1eddi th\u1ea7y, Nguy\u1ec5n Trung. B\u00e0 c\u0169ng t\u1eebng l\u00e0 ng\u01b0\u1eddi m\u1eabu c\u1ee7a \u00f4ng, \u0111\u1ed3ng th\u1eddi l\u00e0 m\u1ed9t ngu\u1ed3n c\u1ea3m h\u1ee9ng s\u00e1ng t\u1ea1o quan tr\u1ecdng trong t\u00e1c ph\u1ea9m c\u1ee7a Nguy\u1ec5n Trung. B\u1ed9 ba s\u01a1n m\u00e0i Elegant in Hue c\u1ee7a B\u1ed9i Tr\u00e2n \u0111\u01b0\u1ee3c tr\u00ecnh b\u00e0y theo c\u1ea5u tr\u00fac triptych c\u1ed5 \u0111i\u1ec3n ch\u00e2u \u00c2u. T\u00e1c ph\u1ea9m kh\u1eafc h\u1ecda m\u1ed9t nh\u00f3m h\u00ecnh t\u01b0\u1ee3ng thi\u1ebfu n\u1eef, nh\u01b0 nh\u1eefng n\u1eef th\u1ea7n, \u0111ang d\u1ea1o b\u01b0\u1edbc, ng\u1ed3i v\u00e0 chuy\u1ec3n \u0111\u1ed9ng trong m\u1ed9t khu v\u01b0\u1eddn r\u1ef1c r\u1ee1. B\u1ed1 c\u1ee5c c\u1ee7a t\u00e1c ph\u1ea9m mang t\u00ednh \u0111\u1eb7c bi\u1ec7t v\u00e0 \u1ea5n t\u01b0\u1ee3ng.<\/p>","protected":false},"author":2,"featured_media":8208,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,34,27,32,29,9],"tags":[90,91,17,123,124],"class_list":["post-5163","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-auction-stories","category-event","category-exhibition","category-history-stories","category-stories","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-ravenel","tag-taiwan"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/5163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=5163"}],"version-history":[{"count":17,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/5163\/revisions"}],"predecessor-version":[{"id":8172,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/5163\/revisions\/8172"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/8208"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=5163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=5163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=5163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}