{"id":6912,"date":"2024-06-06T07:15:41","date_gmt":"2024-06-06T07:15:41","guid":{"rendered":"https:\/\/boitran.com\/?p=6912"},"modified":"2025-06-23T06:46:18","modified_gmt":"2025-06-23T06:46:18","slug":"christies-paris-the-phoenix-glue-and-the-broken-silk-thread-important-vietnamese-artworks-from-the-melchior-dejouany-collection","status":"publish","type":"post","link":"https:\/\/boitran.com\/vi\/christies-paris-the-phoenix-glue-and-the-broken-silk-thread-important-vietnamese-artworks-from-the-melchior-dejouany-collection\/","title":{"rendered":"Christie's Paris | Ph\u01b0\u1ee3ng Giao K\u1ebft v\u00e0 T\u01a1 Duy\u00ean R\u1eddi: Nh\u1eefng T\u00e1c Ph\u1ea9m Vi\u1ec7t Nam Ti\u00eau Bi\u1ec3u t\u1eeb B\u1ed9 S\u01b0u T\u1eadp Melchior Dejouany"},"content":{"rendered":"

\n\t\t\tChristie's Paris | Ph\u01b0\u1ee3ng Giao K\u1ebft v\u00e0 T\u01a1 Duy\u00ean R\u1eddi: Nh\u1eefng T\u00e1c Ph\u1ea9m Vi\u1ec7t Nam Ti\u00eau Bi\u1ec3u t\u1eeb B\u1ed9 S\u01b0u T\u1eadp Melchior Dejouany\t<\/h2>\n\t

The Melchior Dejouany Collection showcases the brilliance of Vietnamese masters: Nguyen Gia Tri’s layered lacquer dreams, Le Pho’s elegant silks, and Vu Cao Dam’s poetic forms. And yet, it began with a single painting by Boi Tran, a quiet work of lacquer that spoke not of grandeur, but of grace. It was her voice, contemporary, contemplative, deeply human, that first drew him in. Among legends, her presence is not loud; it is luminous.<\/p>\n\t

The Melchior Dejouany Collection: The Phoenix Glue and the Broken Silk Thread, Christie’s Paris, 8-12 June 2024. Courtesy: thucdoan.com<\/p>\n\t

Paris – Christie’s is pleased to be associated with the seventh edition of the Asian Spring in Paris. To celebrate the centenary of the creation of the School of Fine Arts of Indochina, Christie’s will present from June 8 to 13 an exhibition of important artworks from the Melchior Dejouany Collection devoted to Vietnamese art with no fewer than nine artists, including L\u00ea Ph\u1ed5<\/strong>, Mai Trung Th\u1ee9<\/strong>, V\u0169 Cao \u0110\u00e0m, Nguy\u1ec5n Gia Tr\u00ed, L\u01b0\u01a1ng Xu\u00e2n Nh\u1ecb, Ho\u00e0ng T\u00edch Ch\u00f9, Tr\u01b0\u01a1ng B\u00e9, Nguy\u1ec5n Trung <\/strong>and B\u1ed9i Tr\u00e2n.<\/strong><\/p>\n\t

Bringing together eleven exceptional works by nine distinguished Vietnamese artists of the 20th and 21st centuries, the exhibition of the Melchior Dejouany Collection invites viewers on a captivating journey through the timeless allure of Vietnam. Thanks to his discerning eyes and the invaluable guidance of renowned Vietnamese art expert Jean-Fran\u00e7ois Hubert, Melchior Dejouany’s collection has flourished over the past decade, spanning a diverse range of mediums. Over the years, his collection has brought together works that witnessed eighty years of Vietnamese art (1935-2015), featuring pieces by prominent figures of the Indochina School of Fine Arts, such as Nguy\u1ec5n Gia Tr\u00ed, L\u00ea Ph\u1ed5, V\u0169 Cao \u0110\u00e0m, and L\u01b0\u01a1ng Xu\u00e2n Nh\u1ecb, among others, as well as talented contemporary artists who are yet to receive widespread recognition, such as Nguy\u1ec5n Trung, Tr\u01b0\u01a1ng B\u00e9, and B\u1ed9i Tr\u00e2n.<\/p>\n

Tri\u1ec3n l\u00e3m, di\u1ec5n ra song h\u00e0nh v\u1edbi c\u00e1c phi\u00ean \u0111\u1ea5u gi\u00e1 ngh\u1ec7 thu\u1eadt ch\u00e2u \u00c1 c\u1ee7a ch\u00fang t\u00f4i, \u0111\u01b0\u1ee3c t\u1ed5 ch\u1ee9c t\u1ea1i Christie\u2019s Paris t\u1eeb ng\u00e0y 8 \u0111\u1ebfn ng\u00e0y 13 th\u00e1ng 6.<\/p>\n

 <\/p>\n\t\t\t\t\"Portrait\n\t\tPortrait of Victor Tardieu (France, 1870-1937)\n\t\t\t\t\"Portrait\n\t\tPortrait of Nguyen Van Tho \/ Nam Son (Vietnam, 1890-1970)\n\t

Tr\u01b0\u1eddng M\u1ef9 thu\u1eadt \u0110\u00f4ng D\u01b0\u01a1ng \u0111\u01b0\u1ee3c th\u00e0nh l\u1eadp v\u00e0o m\u00f9a thu n\u0103m 1924 b\u1edfi hai h\u1ecda s\u0129: Victor Tardieu (1870\u20131937), m\u1ed9t h\u1ecda s\u0129 h\u00e0n l\u00e2m ng\u01b0\u1eddi Ph\u00e1p, v\u1edbi s\u1ef1 h\u1ed7 tr\u1ee3 c\u1ee7a Nguy\u1ec5n V\u1ea1n Th\u1ecd (t\u1ee9c Nam S\u01a1n, 1890\u20131970), m\u1ed9t ngh\u1ec7 s\u0129 Vi\u1ec7t Nam t\u1ef1 h\u1ecdc.\n\nHai nh\u00e0 gi\u00e1o d\u1ee5c n\u00e0y \u0111\u00e3 \u0111\u1ecbnh h\u00ecnh m\u1ed9t cu\u1ed9c g\u1eb7p g\u1ee1 v\u0103n ho\u00e1 gi\u1eefa \u0110\u00f4ng v\u00e0 T\u00e2y, n\u01a1i tri th\u1ee9c v\u00e0 k\u1ef9 ph\u00e1p truy\u1ec1n th\u1ed1ng c\u1ee7a \u0110\u00f4ng \u00c1 \u0111\u01b0\u1ee3c \u0111\u1eb7t trong \u0111\u1ed1i tho\u1ea1i v\u1edbi th\u1ef1c h\u00e0nh ngh\u1ec7 thu\u1eadt ch\u00e2u \u00c2u. T\u1eeb \u0111\u00f3, nh\u1eefng th\u1ebf gi\u1edbi ngh\u1ec7 thu\u1eadt v\u00e0 k\u1ef9 thu\u1eadt t\u01b0\u01a1ng \u1ee9ng d\u1ea7n nu\u00f4i d\u01b0\u1ee1ng l\u1eabn nhau, t\u1ea1o n\u00ean m\u1ed9t d\u00f2ng ch\u1ea3y giao thoa mang t\u00ednh n\u1ec1n t\u1ea3ng.<\/p>\n\t\t\t\t\n\t\t\t\t\"Mai\n\t\t\t\t<\/a>\n\t\tMai Trung Thu (1906-1980), Retour de la cueillette (Back from Fruit Picking), 1935, pastel, charcoal, and chalk on paper, 58.8 x 38.8 cm. (23 1\/8 x 15 1\/4 in.)\n\t

The eleven works presented in the exhibition come from Melchior Dejouany’s personal collection, which he has built over the last ten years. In 2012, he discovered a Vietnamese lacquerware created by the artist Boi Tran. He has since become passionate about Vietnamese art, the diversity of its techniques and the richness of its subjects, striving to bring together a collection representing 100 years of Vietnamese art (1920-2020) between lacquer, painting on silk, drawings, oil on canvas and sculpture.<\/p>\n

 <\/p>\n\t\t\t\t\"Collector\n\t\tCollector Melchior Dejouany posing at Christie’s: The Melchior Dejouany Collection: ‘The Phoenix Glue and the Broken Silk Thread’, Christie’s Paris, 8-12 June 2024.\nCourtesy: thucdoan.com\n\t

D\u00f9 l\u1ecbch s\u1eed Vi\u1ec7t Nam trong th\u1ebf k\u1ef7 XX tr\u1ea3i qua nhi\u1ec1u bi\u1ebfn \u0111\u1ed9ng v\u00e0 kh\u1eafc nghi\u1ec7t, ch\u00ednh s\u1ef1 tinh t\u1ebf hi\u1ebfm c\u00f3, k\u1ef9 ph\u00e1p \u0111i\u00eau luy\u1ec7n v\u00e0 l\u1eddi ng\u1ee3i ca v\u1ebb \u0111\u1eb9p \u0111\u00e3 hi\u1ec7n l\u00ean t\u1eeb nh\u1eefng t\u00e1c ph\u1ea9m n\u00e0y.<\/p>\n

Melchior Dejouany.<\/p><\/blockquote>\n\t

The teaching provided by the Hanoi School of Fine Arts allows artists to free themselves from the rules to better make them their own. Thus,\u00a0Luong Xuan Nhi’s reputation\u00a0is based on graceful female portraits where realism and romanticism, tradition and modernity combine. As this\u00a0Portrait of a Lady<\/em> from 1939 attests, the artist, also nicknamed\u00a0Master of the Color Green<\/em>, perfectly mastered the secrets of oil painting while dressing his model in traditional clothing. Awarded in 1936 by the Society for the Encouragement of Art and Industry, Luong Xuan Nhi taught for nearly 25 years at the Indochina School of Fine Arts.<\/p>\n\t\t\t\t\n\t\t\t\t\"Luong\n\t\t\t\t<\/a>\n\t\tLuong Xuan Nhi (1914-2006), Portrait of a Lady, 1939, oil on canvas, 73.5 x 50 cm. (28 7\u20448 x 19 5\u20448 in.). Sold for HKD 2,125,000 at Christie’s Hong Kong, 2 December 2021\n\t\t\t\t\n\t\t\t\t\"Vu\n\t\t\t\t<\/a>\n\t\tVu Cao Dam (1908-2000), T\u00eate de femme (Head of a Woman), 1939, terracotta sculpture with artist’s base, Sculpture: 20 x 12 x 10 cm. (7 7\/8 x 4 3\/4 x 3 7\/8 in.), Socle: 6 x 7 x 6.8 cm. (2 3\/8 x 2 3\/4 x 2 5\/8 in.)\n\t\t\t\t\n\t\t\t\t\"Vu\n\t\t\t\t<\/a>\n\t\tVu Cao Dam (1908-2000), Le d\u00e9part (The Departure), 1953, mixed media on wood, 54.7 x 46 cm. (21 1\/2 x 18 1\/8 in.)\n\t

V\u0169 Cao \u0110\u00e0m l\u00e0 m\u1ed9t trong nh\u1eefng ngh\u1ec7 s\u0129 Vi\u1ec7t Nam s\u1edbm kh\u1eb3ng \u0111\u1ecbnh t\u00e0i n\u0103ng t\u1ea1i Ph\u00e1p. Ban \u0111\u1ea7u \u0111\u01b0\u1ee3c bi\u1ebft \u0111\u1ebfn qua \u0111i\u00eau kh\u1eafc, \u00f4ng t\u00ecm th\u1ea5y trong th\u1ea1ch cao, \u0111\u1ea5t nung, \u0111\u1ed3ng hay \u0111\u00e1 m\u1ed9t kh\u1ea3 n\u0103ng m\u1edf r\u1ed9ng k\u1ef9 ph\u00e1p, \u0111\u1ed3ng th\u1eddi v\u1eabn gi\u1eef \u0111\u01b0\u1ee3c m\u1ed1i li\u00ean h\u1ec7 b\u1ec1n ch\u1eb7t v\u1edbi ngu\u1ed3n c\u1ed9i.\n\nT\u00e1c ph\u1ea9m \"Head of a Woman\" (1939), b\u1eb1ng \u0111\u1ea5t nung, cho th\u1ea5y m\u1ed9t l\u1ed1i t\u1ea1o h\u00ecnh v\u1eeba m\u1ec1m m\u1ea1i v\u1eeba gi\u00e0u bi\u1ec3u c\u1ea3m. Sau qu\u00e1 tr\u00ecnh \u0111\u00e0o t\u1ea1o t\u1ea1i Tr\u01b0\u1eddng M\u1ef9 thu\u1eadt H\u00e0 N\u1ed9i, khi \u0111\u1ecbnh c\u01b0 t\u1ea1i Ph\u00e1p, V\u0169 Cao \u0110\u00e0m ti\u1ebfp t\u1ee5c theo h\u1ecdc t\u1ea1i \u00c9cole du Louvre, m\u1ed9t tr\u1ea3i nghi\u1ec7m c\u00f3 \u1ea3nh h\u01b0\u1edfng quy\u1ebft \u0111\u1ecbnh \u0111\u1ebfn h\u01b0\u1edbng \u0111i ngh\u1ec7 thu\u1eadt c\u1ee7a \u00f4ng, \u0111\u1ed3ng th\u1eddi d\u1eabn \u00f4ng \u0111\u1ebfn vi\u1ec7c ph\u00e1t tri\u1ec3n th\u1ef1c h\u00e0nh h\u1ed9i h\u1ecda.\n\nPh\u1ea7n l\u1edbn tranh c\u1ee7a \u00f4ng k\u1ebft h\u1ee3p \u1ea3nh h\u01b0\u1edfng c\u1ee7a \u1ea4n t\u01b0\u1ee3ng v\u00e0 H\u1eadu \u1ea4n t\u01b0\u1ee3ng, \u00f4ng c\u00f3 m\u1ed1i li\u00ean h\u1ec7 g\u1ea7n g\u0169i v\u1edbi Chagall, c\u00f9ng v\u1edbi di s\u1ea3n v\u0103n ho\u00e1 Vi\u1ec7t Nam. Nhi\u1ec1u t\u00e1c ph\u1ea9m l\u1ea5y c\u1ea3m h\u1ee9ng t\u1eeb nh\u1eefng c\u1ea3nh trong \"Truy\u1ec7n Ki\u1ec1u\", thi\u00ean tr\u01b0\u1eddng ca th\u1ebf k\u1ef7 XIX quen thu\u1ed9c v\u1edbi ng\u01b0\u1eddi Vi\u1ec7t, n\u01a1i ng\u01b0\u1eddi xem c\u00f3 th\u1ec3 nh\u1eadn ra nh\u1eefng t\u1ea7ng ngh\u0129a k\u00edn \u0111\u00e1o \u0111\u01b0\u1ee3c g\u1ee3i m\u1edf trong tranh, nh\u01b0 trong \"The departure\" (1953).<\/p>\n\t\t\t\t\n\t\t\t\t\"Hoang\n\t\t\t\t<\/a>\n\t\tHoang Tich Chu (1912-2003), La Haute-R\u00e9gion du Tonkin (Tonkinese Upper Region), 1950, lacquer on panel, each: 90 x 46 cm. (35 3\u20448 x 18 1\u20448 in.) (5); overall: 90 x 230 cm. (35 3\u20448 x 90 1\u20442 in.). Sold for HKD 2,500,000 at Christie’s Hong Kong, 2 December 2021\n\t\t\t\t\n\t\t\t\t\"Truong\n\t\t\t\t<\/a>\n\t\tTruong Be (1942-2020), Dans le Quang Tri (In Quang Tri), c. 2006-2009, lacquer on panel, 135 x 225 cm. (53 1\/8 x 88 5\/8 in.)\n\t\t\t\t\n\t\t\t\t\"Nguyen\n\t\t\t\t<\/a>\n\t\tNguyen Trung (B. 1940), Les \u00c9l\u00e9gantes (Elegant Ladies), 2000, lacquer on panel (triptych), 120 x 238,5 cm. (47 1\/4 x 93 7\/8 in.)\n\t\t\t\t\n\t\t\t\t\"Boi\n\t\t\t\t<\/a>\n\t\tBoi Tran (B. 1957), \u00c9l\u00e9gantes de Hu\u00e9 (Elegant Ladies of Hu\u1ebf), 2015, lacquer on panel (tetraptych), 159.5 x 320 cm. (62 3\/4 x 126 in.)\n\t

Tri\u1ec3n l\u00e3m c\u0169ng gi\u1edbi thi\u1ec7u nh\u1eefng t\u1ea5m s\u01a1n m\u00e0i kh\u1ed5 l\u1edbn c\u1ee7a Ho\u00e0ng T\u00edch Ch\u00f9, Nguy\u1ec5n Trung, Tr\u01b0\u01a1ng B\u00e9 v\u00e0 B\u1ed9i Tr\u00e2n. C\u0169ng nh\u01b0 nhi\u1ec1u ngh\u1ec7 s\u0129 kh\u00e1c, h\u1ecd \u0111\u01b0\u1ee3c \u0111\u00e0o t\u1ea1o trong ngh\u1ec7 thu\u1eadt s\u01a1n m\u00e0i truy\u1ec1n th\u1ed1ng t\u1ea1i x\u01b0\u1edfng do Joseph Inguimberty th\u00e0nh l\u1eadp trong khu\u00f4n kh\u1ed5 Tr\u01b0\u1eddng M\u1ef9 thu\u1eadt \u0110\u00f4ng D\u01b0\u01a1ng.\n\nV\u01b0\u1ee3t qua khu\u00f4n kh\u1ed5 c\u1ee7a nh\u1eefng b\u00e0i h\u1ecdc ban \u0111\u1ea7u, Nguy\u1ec5n Gia Tr\u00ed \u0111\u01b0\u1ee3c xem l\u00e0 m\u1ed9t trong nh\u1eefng \u0111\u1ea1i di\u1ec7n ti\u00eau bi\u1ec3u c\u1ee7a lo\u1ea1i h\u00ecnh n\u00e0y. V\u1edbi b\u1ea3ng m\u00e0u g\u1ed3m \u0111\u1ecf, ho\u00e0ng th\u1ed5, n\u00e2u h\u1ed5 ph\u00e1ch v\u00e0 v\u00e0ng, \u00f4ng t\u1ea1o d\u1ef1ng nh\u1eefng phong c\u1ea3nh Vi\u1ec7t Nam v\u1edbi khu v\u01b0\u1eddn tr\u00f9 ph\u00fa, gi\u00e0u chi ti\u1ebft tinh t\u1ebf.\n\nTrong c\u00e1c t\u00e1c ph\u1ea9m nh\u01b0 \"Perfection\" hay \"Women and Gardens of Vietnam\", ng\u01b0\u1eddi h\u1ecda s\u0129 nh\u1ea5n m\u1ea1nh v\u00e0o hi\u1ec7u \u1ee9ng ch\u1ea5t li\u1ec7u, n\u00e9t v\u1ebd sinh \u0111\u1ed9ng v\u00e0 nh\u1eefng c\u1eed ch\u1ec9 mang t\u00ednh t\u1ef1 nhi\u00ean.<\/p>\n\t\t\t\t\n\t\t\t\t\"Nguyen\n\t\t\t\t<\/a>\n\t\tNguyen Gia Tri (1908-1993), La Perfection ou Femmes et Jardins du Vietnam (Perfection or Women and Gardens of Vietnam), 1956-1959, lacquer on panel, 50.6 x 65 cm. (19 7\/8 x 25 5\/8 in.). Sold for HKD 1,720,000 at Christie’s Hong Kong, 30 May 2015\n\t

L\u00ea Ph\u1ed5 c\u00f3 l\u1ebd l\u00e0 m\u1ed9t trong nh\u1eefng ngh\u1ec7 s\u0129 ti\u00eau bi\u1ec3u nh\u1ea5t cho s\u1ef1 giao thoa gi\u1eefa ph\u01b0\u01a1ng T\u00e2y v\u00e0 Vi\u1ec5n \u0110\u00f4ng. \u00d4ng l\u1ef1a ch\u1ecdn gi\u1eef l\u1ee5a l\u00e0m ch\u1ea5t li\u1ec7u, \u0111\u1ed3ng th\u1eddi t\u1eebng b\u01b0\u1edbc chuy\u1ec3n ho\u00e1 nh\u1eefng \u1ea3nh h\u01b0\u1edfng ngh\u1ec7 thu\u1eadt m\u00e0 \u00f4ng ti\u1ebfp nh\u1eadn t\u1ea1i Ph\u00e1p.\n\n\"The Bathing\" (1938) cho th\u1ea5y s\u1ef1 v\u1eadn \u0111\u1ed9ng li\u00ean t\u1ee5c trong h\u1ed9i ho\u1ea1 c\u1ee7a \u00f4ng. Th\u1ebf gi\u1edbi thi v\u1ecb \u1ea5y g\u1ee3i nh\u1eafc \u0111\u1ebfn Bonnard, ng\u01b0\u1eddi m\u00e0 \u00f4ng d\u00e0nh nhi\u1ec1u ng\u01b0\u1ee1ng m\u1ed9. Ng\u01b0\u1eddi xem c\u00f3 th\u1ec3 c\u1ea3m nh\u1eadn \u0111\u01b0\u1ee3c v\u1ebb duy\u00ean d\u00e1ng cu\u1ed1n h\u00fat c\u1ee7a nh\u1eefng h\u00ecnh th\u1ec3 n\u1eef, s\u1ef1 g\u1ee3i c\u1ea3m \u0111\u01b0\u1ee3c ti\u1ebft ch\u1ebf trong nh\u1eefng m\u1ea3ng m\u00e0u gouache tr\u1ea7m, c\u00f9ng m\u1ed9t l\u1edbp b\u00fat ph\u00e1p nh\u1eb9 v\u00e0 m\u1edd, ph\u1ea3ng ph\u1ea5t li\u00ean t\u01b0\u1edfng \u0111\u1ebfn h\u1ed9i ho\u1ea1 c\u1ee7a Odilon Redon.\n\nV\u1edbi \"The Philosopher\" (1956), \u0111\u01b0\u1ee3c s\u00e1ng t\u00e1c g\u1ea7n hai th\u1eadp ni\u00ean sau \u0111\u00f3, h\u00ecnh th\u1ec3 v\u00e0 nh\u00e2n v\u1eadt d\u1ea7n ho\u00e0 v\u00e0o nhau, h\u01b0\u1edbng t\u1edbi m\u1ed9t ng\u00f4n ng\u1eef ng\u00e0y c\u00e0ng tr\u1eebu t\u01b0\u1ee3ng.<\/p>\n\t\t\t\t\n\t\t\t\t\"Le\n\t\t\t\t<\/a>\n\t\tLe Pho (1907-2001), La baignade (Bathing), c. 1938, gouache and ink on silk, 46 x 30.5 cm. (18 1\/8 x 12 in.)\n\t\t\t\t\n\t\t\t\t\"Le\n\t\t\t\t<\/a>\n\t\tLe Pho (1907-2001), Le Philosophe (The Philosopher), 1956, mixed media on silk laid on board, 88 x 88 cm. (34 5\/8 x 34 5\/8 in.)\n\t\u0110\u1ecba \u0111i\u1ec3m<\/strong>
\nChristie’s Paris
\n9 Avenue Matignon
\n75008 Paris\nTham quan<\/strong>
\n8 June, 10am – 6pm
\n9 June, 2pm – 6pm
\n10 June, 10am – 6pm
\n11 June, 10am – 6pm
\n12 June, 10am – 6pm
\n13 June, 10am – 6pm\nLi\u00ean h\u1ec7<\/strong>
\n+33 (0) 1 40 76 85 85","protected":false},"excerpt":{"rendered":"

B\u1ed9 s\u01b0u t\u1eadp Melchior Dejouany t\u00f4n vinh t\u00e0i n\u0103ng c\u1ee7a nh\u1eefng b\u1eadc th\u1ea7y Vi\u1ec7t Nam: nh\u1eefng gi\u1ea5c m\u1ed9ng s\u01a1n m\u00e0i nhi\u1ec1u l\u1edbp c\u1ee7a Nguy\u1ec5n Gia Tr\u00ed, v\u1ebb thanh nh\u00e3 tr\u00ean l\u1ee5a c\u1ee7a L\u00ea Ph\u1ed5, v\u00e0 nh\u1eefng h\u00ecnh th\u1ec3 gi\u00e0u thi t\u00ednh c\u1ee7a V\u0169 Cao \u0110\u00e0m.\n\nV\u00e0 r\u1ed3i, kh\u1edfi \u0111\u1ea7u l\u1ea1i \u0111\u1ebfn t\u1eeb m\u1ed9t b\u1ee9c tranh duy nh\u1ea5t c\u1ee7a B\u1ed9i Tr\u00e2n, m\u1ed9t t\u00e1c ph\u1ea9m s\u01a1n m\u00e0i l\u1eb7ng l\u1ebd, kh\u00f4ng n\u00f3i v\u1ec1 s\u1ef1 huy ho\u00e0ng, m\u00e0 v\u1ec1 ph\u1ea9m c\u00e1ch. Ch\u00ednh ti\u1ebfng n\u00f3i c\u1ee7a b\u00e0, \u0111\u01b0\u01a1ng \u0111\u1ea1i, chi\u00eam nghi\u1ec7m v\u00e0 gi\u00e0u t\u00ednh nh\u00e2n b\u1ea3n, \u0111\u00e3 l\u00e0 \u0111i\u1ec1u \u0111\u1ea7u ti\u00ean d\u1eabn l\u1ed1i.\n\nGi\u1eefa nh\u1eefng t\u00ean tu\u1ed5i l\u1edbn, s\u1ef1 hi\u1ec7n di\u1ec7n c\u1ee7a b\u00e0 kh\u00f4ng \u1ed3n \u00e0o. M\u00e0 r\u1ea1ng s\u00e1ng.<\/p>","protected":false},"author":2,"featured_media":6951,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,34,30,32,9],"tags":[90,91,17,80,161,76,95,78,162,160,114,116,104,159],"class_list":["post-6912","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-auction-stories","category-christies","category-exhibition","category-stories","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-christies","tag-hoang-tich-chu","tag-le-pho","tag-luong-xuan-nhi","tag-mai-trung-thu","tag-melchior-dejouany","tag-nguyen-gia-tri","tag-nguyen-trung","tag-paris","tag-truong-be","tag-vu-cao-dam"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/6912","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=6912"}],"version-history":[{"count":16,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/6912\/revisions"}],"predecessor-version":[{"id":7684,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/6912\/revisions\/7684"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/6951"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=6912"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=6912"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=6912"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}