The Phoenix Glue and the Broken Silk Thread: Important Vietnamese Artworks from the Melchior Dejouany Collection<\/a> on 8-13 June 2024 at Christie’s in Paris<\/p>\n\t\u0110\u1ebfn n\u0103m 1975, to\u00e0n b\u1ed9 khu v\u1ef1c Hu\u1ebf \u0111\u00e3 ch\u00ecm v\u00e0o im l\u1eb7ng, nh\u1eefng v\u1ebft th\u01b0\u01a1ng v\u1eabn c\u00f2n r\u1ec9 m\u00e1u. L\u00e0 \u0111i\u1ec3m y\u1ebfu \u0111\u1ecba gi\u1eefa hai mi\u1ec1n Nam v\u00e0 B\u1eafc, Hu\u1ebf t\u1eebng tr\u1ea3i qua mu\u00f4n v\u00e0n binh \u0111ao, bom r\u01a1i \u0111\u1ea1n n\u1ed5 kh\u00f4ng d\u1ee9t su\u1ed1t th\u1eddi lo\u1ea1n ly qu\u1ed1c bi\u1ebfn.<\/p>\n
T\u1eed \u0111\u1ea1o v\u00e0 t\u1eadn th\u1ebf.<\/p>\n\t
What can you do when you’ve got nothing left? Not even a photo of your childhood. When, since childhood, you’ve been exposed to the bitter, insistent death that has already taken your loved ones away from you?<\/p>\n
Kh\u00f4ng bao gi\u1edd khu\u1ea5t ph\u1ee5c. Tuy\u1ec7t nhi\u00ean kh\u00f4ng. Tuy\u1ec7t nhi\u00ean kh\u00f4ng than v\u00e3n.<\/p>\n\t
N\u01b0\u1edbc Vi\u1ec7t \u1ea5y, tr\u0103m h\u1ecd \u0111\u1ec1u tham chi\u1ebfn. Kh\u00f4ng ph\u1ea3i t\u1ea5t c\u1ea3 \u0111\u1ec1u th\u1eafng.<\/p>\n
Theo n\u0103m th\u00e1ng, h\u1eadu gian kh\u00f3, ch\u1eadm r\u00e3i l\u1eafng nghe ti\u1ebfng chim h\u00f3t tr\u1edf l\u1ea1i, u\u1ed1ng ng\u1ee5m tr\u00e0 xanh, nh\u1eb9 nh\u00e0ng ch\u1ecbu nh\u1eefng c\u01a1n m\u01b0a v\u00e0 nghi\u00eam d\u01b0\u1ee1ng gia \u0111\u00ecnh. K\u00ednh c\u1ea9n t\u01b0\u1edfng nh\u1edb con trai, ng\u01b0\u1eddi \u0111\u00e3 ra \u0111i qu\u00e1 s\u1edbm, v\u00e0 m\u1ec9m c\u01b0\u1eddi l\u1eb7ng l\u1ebd.<\/p>\n
Lu\u00f4n m\u1ec9m c\u01b0\u1eddi. L\u00e0 m\u1ed9t h\u1eadu du\u1ec7 t\u1ef1 h\u00e0o \u0111\u1eddi th\u1ee9 18 \u0111\u1ea7y t\u1ef1 h\u00e0o c\u1ee7a v\u1ecb Th\u1ed1ng l\u0129nh \u0110\u1ea1i T\u01b0\u1edbng Qu\u00e2n H\u00e0 T\u0129nh Phan Quang Minh (1350\u20131454), l\u1ee5c t\u1eed c\u1ee7a ng\u00e0i l\u00e0 Phan H\u1eefu Gi\u00e1, ng\u01b0\u1eddi \u0111\u00e3 thi\u00ean c\u01b0 ph\u01b0\u01a1ng Nam v\u00f9ng \u0111\u1ea5t ch\u01b0a mang t\u00ean l\u00e0 Hu\u1ebf, v\u00e0o n\u0103m 1438.<\/p>\n\t
Ho\u1ea1 ph\u00e1p, nh\u01b0 th\u1ea7n ch\u00fa. Lu\u00f4n l\u00e0 nh\u1eefng con ng\u01b0\u1eddi \u1ea5y, l\u00e0 nh\u1eefng c\u1eed ch\u1ec9 \u1ea5y, l\u00e0 khu v\u01b0\u1eddn \u1ea5y. M\u1ed9t t\u00edn ng\u01b0\u1ee1ng kh\u00f4ng c\u00f3 nghi th\u1ee9c.<\/p>\n
Our majestic lacquer depicts 7 (not 8…) young women in ao dai.<\/p>\n
Charming by virtue of their skilfully maintained distance, rather than their voluptuousness, as in Nguyen Trung, Boi Tran’s master. More introverted, almost austere, blending into the vegetation.<\/p>\n
Xa xa, b\u00ean tr\u00e1i, m\u1ed9t ng\u00f4i nh\u00e0 s\u00e0n, c\u0103n nh\u00e0 c\u1ee7a d\u00e2n t\u1ed9c thi\u1ec3u s\u1ed1 m\u00e0 ngh\u1ec7 s\u0129 \u0111ang t\u1ec9 m\u1eabn c\u1ee9u kh\u1ecfi s\u1ef1 t\u00e0n ph\u00e1. Xa h\u01a1n v\u1ec1 ph\u00eda ph\u1ea3i, nh\u00e0 r\u01b0\u1eddng, m\u1ed9t ng\u00f4i nh\u00e0 truy\u1ec1n th\u1ed1ng c\u1ee7a ng\u01b0\u1eddi Kinh, ho\u00e0n to\u00e0n b\u1eb1ng g\u1ed7 nh\u01b0 nh\u00e0 s\u00e0n. V\u00e0 \u0111\u00f3 l\u00e0 vi\u00ean m\u00f4n.<\/p>\n\t\u1ede Hu\u1ebf.
\nM\u1ed9t c\u00f5i kh\u00e9p k\u00edn tr\u00ean tri\u1ec1n \u0111\u1ed3i.
\nPh\u1ea9m c\u00e1ch, kh\u00ed gi\u1edbi t\u1ed1i th\u01b0\u1ee3ng ch\u1ed1ng l\u1ea1i s\u1ed1 m\u1ec7nh.
\nT\u1ef1a c\u00f9ng s\u1ebb chia m\u1ed9t m\u1ea3nh v\u0129nh c\u1eedu.\n\tJean-Fran\u00e7ois Hubert<\/strong>
\nChuy\u00ean Gia C\u1ea5p Cao, Ngh\u1ec7 Thu\u1eadt Vi\u1ec7t Nam\n\tExcerpted from The Phoenix’s Glue and the Broken Silk Thread: Major Vietnamese Works from the Melchior Dejouany Collection, Christie’s Paris, 8-13 June, 2024<\/em><\/p>","protected":false},"excerpt":{"rendered":"Trong kho\u1ea3ng l\u1eb7ng sau \u0111\u1ed5 v\u1ee1, c\u00f3 ng\u01b0\u1eddi c\u1ea5t ti\u1ebfng; c\u00f3 ng\u01b0\u1eddi ch\u1ec9 kh\u1ebd th\u00ec th\u1ea7m. B\u1ed9i Tr\u00e2n v\u1ebd.\n\nNh\u1eefng Ng\u01b0\u1eddi \u0110\u00e0n B\u00e0 Thanh Nh\u00e3 c\u1ee7a Hu\u1ebf, b\u1ea3y d\u00e1ng h\u00ecnh trong t\u00e0 \u00e1o d\u00e0i bu\u00f4ng nh\u1eb9, kh\u00f4ng t\u00ecm c\u00e1ch \u0111\u01b0\u1ee3c nh\u00ecn th\u1ea5y; h\u1ecd hi\u1ec7n di\u1ec7n, nh\u01b0 Hu\u1ebf \u0111\u00e3 t\u1eebng hi\u1ec7n di\u1ec7n. Mang v\u1ebft th\u01b0\u01a1ng, l\u1eb7ng l\u1ebd, m\u00e0 r\u1ea1ng r\u1ee1. V\u1ebb \u0111\u1eb9p c\u1ee7a h\u1ecd kh\u00f4ng ph\u1ea3i l\u00e0 ph\u00f4 b\u00e0y, m\u00e0 l\u00e0 m\u1ed9t n\u01a1i n\u01b0\u01a1ng n\u00e1u.\n\nH\u00e0nh tr\u00ecnh c\u1ee7a Melchior Dejouany \u0111\u1ebfn v\u1edbi m\u1ef9 thu\u1eadt Vi\u1ec7t Nam kh\u00f4ng b\u1eaft \u0111\u1ea7u t\u1eeb s\u1ef1 huy ho\u00e0ng, m\u00e0 t\u1eeb chi\u1ec1u s\u00e2u t\u0129nh l\u1eb7ng trong s\u01a1n m\u00e0i c\u1ee7a B\u1ed9i Tr\u00e2n.
\nGi\u1eefa s\u01a1n m\u00e0i v\u00e0 di s\u1ea3n, t\u00e1c ph\u1ea9m c\u1ee7a b\u00e0 kh\u00f4ng \u1ed3n \u00e0o. Nh\u01b0ng \u1edf l\u1ea1i.<\/p>","protected":false},"author":2,"featured_media":7596,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,34,30,32,26,9],"tags":[90,91,17,80,162],"class_list":["post-7597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-auction-stories","category-christies","category-exhibition","category-interview","category-stories","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-christies","tag-melchior-dejouany"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/7597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=7597"}],"version-history":[{"count":7,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/7597\/revisions"}],"predecessor-version":[{"id":7682,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/7597\/revisions\/7682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/7596"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=7597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=7597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=7597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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