{"id":7857,"date":"2026-02-25T06:56:19","date_gmt":"2026-02-25T06:56:19","guid":{"rendered":"https:\/\/boitran.com\/?p=7857"},"modified":"2026-03-04T02:28:53","modified_gmt":"2026-03-04T02:28:53","slug":"boi-tran-the-woman-who-paints-the-dream-of-hue","status":"publish","type":"post","link":"https:\/\/boitran.com\/vi\/boi-tran-the-woman-who-paints-the-dream-of-hue\/","title":{"rendered":"B\u1ed9i Tr\u00e2n, Ng\u01b0\u1eddi \u0110\u00e0n B\u00e0 V\u1ebd Gi\u1ea5c M\u01a1 Hu\u1ebf"},"content":{"rendered":"

\n\t\t\tB\u1ed9i Tr\u00e2n: Ng\u01b0\u1eddi \u0110\u00e0n B\u00e0 V\u1ebd Gi\u1ea5c M\u01a1 Hu\u1ebf\t<\/h2>\n\t

Boi Tran’s practice extends beyond painting into the spatial and cultural reconstruction of Hu\u1ebf’s aesthetic consciousness. While her canvases are often associated with contemplative female figures and serene Buddhist imagery, her broader contribution lies in the translation of painterly sensibility into lived architecture. At Thien An Hill and Kim Son Hill, she created a garden that draws from the structural language of the Hu\u1ebf wooden house (nh\u00e0 r\u01b0\u1eddng) tradition while rearticulating it within a contemporary context.<\/p>\n

S\u1ef1 l\u1ef1a ch\u1ecdn c\u00f3 \u00fd th\u1ee9c c\u00e1c v\u1eadt li\u1ec7u t\u1ef1 nhi\u00ean, g\u1ed7, g\u1ea1ch, ng\u00f3i v\u00e0 \u0111\u00e1, kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t s\u1ef1 quay v\u1ec1 ho\u00e0i ni\u1ec7m, m\u00e0 l\u00e0 m\u1ed9t l\u1eadp tr\u01b0\u1eddng. Khi ti\u1ebft gi\u1ea3m s\u1ef1 hi\u1ec7n di\u1ec7n c\u1ee7a th\u00e9p, b\u00ea t\u00f4ng v\u00e0 k\u00ednh, b\u00e0 g\u1ee3i m\u1edf m\u1ed9t \u0111\u1ea1o l\u00fd kh\u00f4ng gian kh\u00e1c, \u0111\u1eb7t n\u1ec1n tr\u00ean t\u00ednh th\u1ea9m th\u1ea5u, kh\u1ea3 n\u0103ng \u201cth\u1edf\u201d v\u00e0 s\u1ef1 li\u00ean t\u1ee5c v\u1edbi m\u00f4i tr\u01b0\u1eddng. Trong quan ni\u1ec7m c\u1ee7a b\u00e0, ki\u1ebfn tr\u00fac kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t \u0111\u1ed1i t\u01b0\u1ee3ng \u0111\u1eb7t l\u00ean m\u1eb7t \u0111\u1ea5t, m\u00e0 l\u00e0 m\u1ed9t h\u00ecnh th\u1ee9c \u0111\u01b0\u1ee3c c\u1eafm r\u1ec5 v\u00e0o trong \u0111\u00f3.<\/p>\n

Th\u00f4ng qua nh\u1eefng m\u00f4i tr\u01b0\u1eddng \u0111\u01b0\u1ee3c ki\u1ebfn t\u1ea1o n\u00e0y, B\u1ed9i Tr\u00e2n \u0111\u01b0a ra m\u1ed9t lu\u1eadn \u0111i\u1ec3m v\u0103n ho\u00e1: di s\u1ea3n kh\u00f4ng t\u1ed3n t\u1ea1i b\u1eb1ng vi\u1ec7c l\u1eb7p l\u1ea1i h\u00ecnh th\u1ee9c, m\u00e0 b\u1eb1ng s\u1ef1 hi\u1ec7n th\u00e2n b\u1ec1n b\u1ec9 c\u1ee7a tinh th\u1ea7n. V\u00ec v\u1eady, Hu\u1ebf trong th\u1ef1c h\u00e0nh c\u1ee7a b\u00e0 kh\u00f4ng c\u00f2n l\u00e0 m\u1ed9t k\u00fd \u1ee9c t\u0129nh t\u1ea1i, m\u00e0 l\u00e0 m\u1ed9t truy\u1ec1n th\u1ed1ng \u0111ang v\u1eadn \u0111\u1ed9ng, \u0111ang s\u1ed1ng.<\/p>\nTS. Phan Thanh H\u1ea3i
\nGi\u00e1m \u0111\u1ed1c, S\u1edf V\u0103n ho\u00e1 v\u00e0 Th\u1ec3 thao, Th\u00e0nh ph\u1ed1 Hu\u1ebf, Vi\u1ec7t Nam\n\t

M\u1ed9t di s\u1ea3n \u0111\u01b0\u1ee3c ki\u1ebfn t\u1ea1o b\u1edfi m\u1ed9t ng\u01b0\u1eddi ph\u1ee5 n\u1eef, ng\u01b0\u1eddi t\u1eebng l\u00e0 n\u00e0ng th\u01a1 c\u1ee7a ngh\u1ec7 thu\u1eadt, v\u00e0 r\u1ed3i, theo th\u1eddi gian, ch\u00ednh b\u00e0 tr\u1edf th\u00e0nh ngh\u1ec7 thu\u1eadt.<\/strong><\/p>\nC\u00f3 nh\u1eefng h\u1ecda s\u0129 v\u1ebd b\u1eb1ng m\u00e0u s\u1eafc. C\u00f3 nh\u1eefng ng\u01b0\u1eddi v\u1ebd b\u1eb1ng k\u00fd \u1ee9c. V\u00e0 c\u0169ng c\u00f3 nh\u1eefng ng\u01b0\u1eddi, nh\u01b0 B\u1ed9i Tr\u00e2n, v\u1ebd b\u1eb1ng ch\u00ednh kh\u00f4ng gian s\u1ed1ng c\u1ee7a m\u00ecnh, n\u01a1i t\u1eebng m\u00e1i nh\u00e0, t\u1eebng l\u1ed1i \u0111i, t\u1eebng t\u00e1n c\u00e2y tr\u1edf th\u00e0nh m\u1ed9t n\u00e9t c\u1ecd, \u00e2m th\u1ea7m m\u00e0 b\u1ec1n b\u1ec9 d\u1ef1ng l\u1ea1i tinh th\u1ea7n Hu\u1ebf trong \u0111\u1eddi s\u1ed1ng \u0111\u01b0\u01a1ng \u0111\u1ea1i.
\n<\/strong>\n

\n\t\t\t\t\"Femmes\n\t<\/figure>\n\t

Boi Tran, Femmes au bord de l’\u00e9tang aux lotus (Ladies by the Lotus Pond). 2019. Lacquer on panel (tetratych), 120 x 320 cm. (47 1<\/sup>\/4<\/sub>\u00a0x 125\u00a063<\/sup>\/64<\/sub> in.). Private Collection, Asia<\/p>\n\t

Nh\u1eafc \u0111\u1ebfn tranh c\u1ee7a B\u1ed9i Tr\u00e2n, ng\u01b0\u1eddi ta th\u01b0\u1eddng ngh\u0129 \u0111\u1ebfn nh\u1eefng thi\u1ebfu n\u1eef \u00e1o d\u00e0i v\u1edbi \u0111\u00f4i m\u1eaft kh\u00e9p h\u1edd, \u0111\u1ebfn nh\u1eefng g\u01b0\u01a1ng m\u1eb7t Ph\u1eadt t\u0129nh t\u1ea1i. Nh\u01b0ng v\u1edbi Hu\u1ebf, B\u1ed9i Tr\u00e2n c\u00f2n l\u00e0 m\u1ed9t huy\u1ec1n tho\u1ea1i c\u1ee7a v\u1ebb \u0111\u1eb9p. V\u1ebb \u0111\u1eb9p \u1ea5y kh\u00f4ng ph\u00f4 tr\u01b0\u01a1ng, m\u00e0 thanh nh\u00e3, s\u00e2u v\u00e0 bu\u1ed3n nh\u01b0 m\u1ed9t c\u00e2u h\u00e1t Tr\u1ecbnh. C\u00f3 m\u1ed9t th\u1eddi, b\u00e0 l\u00e0 \u201cn\u00e0ng th\u01a1\u201d \u0111i qua c\u1ea3m h\u1ee9ng c\u1ee7a nhi\u1ec1u v\u0103n ngh\u1ec7 s\u0129. H\u00ecnh b\u00f3ng \u1ea5y th\u1ea5p tho\u00e1ng trong th\u01a1 B\u1eedu \u00dd, trong nh\u1eefng trang v\u0103n c\u1ee7a Ho\u00e0ng Ph\u1ee7 Ng\u1ecdc T\u01b0\u1eddng, trong \u00e2m nh\u1ea1c Tr\u1ecbnh C\u00f4ng S\u01a1n, v\u00e0 c\u1ea3 trong nh\u1eefng b\u1ee9c ch\u00e2n dung c\u1ee7a nhi\u1ec1u h\u1ecda s\u0129 t\u00ean tu\u1ed5i. M\u1ed9t v\u1ebb \u0111\u1eb9p kh\u00f4ng ch\u1ec9 c\u1ee7a dung nhan, m\u00e0 c\u1ee7a th\u1ea7n th\u00e1i, c\u00e1i th\u1ea7n th\u00e1i r\u1ea5t Hu\u1ebf: tr\u1ea7m t\u0129nh, mong manh v\u00e0 \u0111\u1ea7y n\u1ed9i l\u1ef1c.<\/p>\n

Nh\u01b0ng n\u1ebfu ch\u1ec9 d\u1eebng l\u1ea1i \u1edf tranh, \u1edf k\u00fd \u1ee9c ngh\u1ec7 thu\u1eadt, c\u00f3 l\u1ebd v\u1eabn ch\u01b0a ch\u1ea1m \u0111\u1ebfn ph\u1ea7n quan tr\u1ecdng nh\u1ea5t trong h\u00e0nh tr\u00ecnh s\u00e1ng t\u1ea1o c\u1ee7a b\u00e0. B\u1edfi B\u1ed9i Tr\u00e2n kh\u00f4ng ch\u1ec9 v\u1ebd tr\u00ean toan. B\u00e0 v\u1ebd b\u1eb1ng \u0111\u1ea5t, b\u1eb1ng g\u1ed7, b\u1eb1ng c\u00e2y l\u00e1, b\u1eb1ng c\u00e1ch d\u1ef1ng n\u00ean nh\u1eefng kh\u00f4ng gian s\u1ed1ng m\u00e0 \u1edf \u0111\u00f3 con ng\u01b0\u1eddi c\u00f3 th\u1ec3 b\u01b0\u1edbc ch\u1eadm l\u1ea1i v\u00e0 l\u1eafng nghe thi\u00ean nhi\u00ean.<\/p>\n

\n\t\t\t\t\"Boi\n\t<\/figure>\n\t

Boi Tran, Bouddha Couch\u00e9 (Reclining Buddha). 2016. Lacquer on panel, 80 x 160 cm. (31 1\/2 x 62 63\/64 in.). Collection of Boi Tran Garden.<\/p>\n

\n\t\t\t\t\"Hu\u00e9\n\t<\/figure>\n\t

Boi Tran, Hu\u00e9 en Fleurs (Hue in Bloom), 2023-2025. Oil on canvas, 140 x 250 cm. (55 1\/8\u00a0<\/sub>x 98 3\/8\u00a0<\/sub>in.). Collection of Boi Tran Garden.<\/p>\n\t

Tr\u00ean \u0111\u1ed3i Thi\u00ean An, n\u01a1i th\u00f4ng reo su\u1ed1t b\u1ed1n m\u00f9a, b\u00e0 d\u1ef1ng n\u00ean m\u1ed9t nh\u00e0 v\u01b0\u1eddn nh\u01b0 th\u1ec3 n\u00f3 m\u1ecdc l\u00ean t\u1eeb l\u00f2ng \u0111\u1ea5t. Kh\u00f4ng c\u00f3 c\u1ea3m gi\u00e1c c\u1ee7a m\u1ed9t c\u00f4ng tr\u00ecnh ki\u1ebfn tr\u00fac \u0111\u01b0\u1ee3c \u00e1p \u0111\u1eb7t. M\u1ecdi th\u1ee9 \u0111\u1ec1u nh\u1eb9, th\u1ea5p, m\u1edf v\u00e0 h\u00f2a v\u00e0o c\u1ea3nh quan.<\/p>\n

What distinguishes Boi Tran’s architectural vision is her material choice. She turns almost exclusively to what belongs to the natural world: wood, brick, tile, stone, terracotta. Steel, concrete, and glass, the defining materials of modern urbanity, are nearly absent. This is not a rejection of the present, but a deliberate orientation toward return.<\/p>\n

Nh\u1eefng m\u00e1i ng\u00f3i c\u0169 th\u1edf c\u00f9ng n\u1eafng m\u01b0a. Nh\u1eefng c\u1ed9t g\u1ed7 s\u1eabm m\u00e0u mang theo d\u1ea5u v\u1ebft th\u1eddi gian. Nh\u1eefng b\u1ee9c t\u01b0\u1eddng g\u1ea1ch th\u00f4 kh\u00f4ng tr\u00e1t k\u00edn, \u0111\u1ec3 cho r\u00eau phong c\u00f3 ch\u1ed7 m\u00e0 sinh s\u00f4i. Kh\u00f4ng gian \u1ea5y kh\u00f4ng m\u1edbi, nh\u01b0ng c\u0169ng kh\u00f4ng c\u0169. N\u00f3 gi\u1ed1ng nh\u01b0 m\u1ed9t ph\u1ea7n ti\u1ebfp n\u1ed1i t\u1ef1 nhi\u00ean c\u1ee7a nh\u00e0 r\u01b0\u1eddng Hu\u1ebf, nh\u01b0ng \u0111\u01b0\u1ee3c \u0111\u1eb7t trong m\u1ed9t b\u1ed1 c\u1ee5c r\u1ea5t \u0111\u01b0\u01a1ng \u0111\u1ea1i, n\u01a1i con ng\u01b0\u1eddi \u0111\u01b0\u1ee3c s\u1ed1ng gi\u1eefa thi\u00ean nhi\u00ean ch\u1ee9 kh\u00f4ng \u0111\u1ee9ng ngo\u00e0i thi\u00ean nhi\u00ean.<\/p>\n

\n\t\t\t\t\"\"\n\t<\/figure>\n\t

Boi Tran Garden constitutes a form of living heritage. At sunset, a water lily lake lies still beneath a fading blue sky streaked with coral clouds. Trees and open lawn frame the quiet water, where light lingers softly in reflection.<\/p>\n\t

N\u1ebfu khu nh\u00e0 v\u01b0\u1eddn \u1edf \u0111\u1ed3i Thi\u00ean An l\u00e0 b\u1ea3n d\u1ea1o \u0111\u1ea7u, th\u00ec khu v\u01b0\u1eddn tr\u00ean \u0111\u1ed3i Kim S\u01a1n l\u00e0 n\u01a1i t\u01b0 duy \u1ea5y \u0111\u1ea1t \u0111\u1ebfn \u0111\u1ed9 chin mu\u1ed3i.<\/p>\n

Kh\u00f4ng gian \u1edf Kim S\u01a1n kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t khu v\u01b0\u1eddn theo ngh\u0129a truy\u1ec1n th\u1ed1ng. \u0110\u00f3 l\u00e0 m\u1ed9t c\u1ea3nh gi\u1edbi s\u1ed1ng. Nh\u1eefng n\u1ebfp nh\u00e0 khi\u00eam t\u1ed1n \u1ea9n d\u01b0\u1edbi t\u00e1n c\u00e2y, nh\u1eefng l\u1ed1i \u0111i l\u00e1t g\u1ea1ch d\u1eabn qua h\u1ed3 n\u01b0\u1edbc v\u00e0 nh\u1eefng l\u1ed1i \u0111i quanh v\u01b0\u1eddn, nh\u1eefng kho\u1ea3ng s\u00e2n m\u1edf ra tr\u1eddi r\u1ed9ng\u2026 t\u1ea5t c\u1ea3 \u0111\u01b0\u1ee3c t\u1ed5 ch\u1ee9c nh\u01b0 m\u1ed9t d\u00f2ng ch\u1ea3y li\u00ean t\u1ee5c.<\/p>\n

\u1ede \u0111\u00f3, ng\u01b0\u1eddi ta nh\u1eadn ra r\u00f5 h\u01a1n tri\u1ebft l\u00fd c\u1ee7a B\u1ed9i Tr\u00e2n: ki\u1ebfn tr\u00fac kh\u00f4ng ph\u1ea3i \u0111\u1ec3 ph\u00f4 di\u1ec5n, m\u00e0 \u0111\u1ec3 \u1ea9n m\u00ecnh. Nh\u00e0 kh\u00f4ng \u0111\u1ee9ng tr\u00ean \u0111\u1ea5t, m\u00e0 n\u1eb1m trong \u0111\u1ea5t. C\u00f4ng tr\u00ecnh kh\u00f4ng \u0111\u1ed1i l\u1eadp v\u1edbi thi\u00ean nhi\u00ean, m\u00e0 tr\u1edf th\u00e0nh m\u1ed9t ph\u1ea7n c\u1ee7a thi\u00ean nhi\u00ean. Vi\u1ec7c b\u00e0 h\u1ea7u nh\u01b0 kh\u00f4ng s\u1eed d\u1ee5ng s\u1eaft th\u00e9p, b\u00ea t\u00f4ng, k\u00ednh\u2026 khi\u1ebfn kh\u00f4ng gian \u1ea5y c\u00f3 m\u1ed9t c\u1ea3m gi\u00e1c r\u1ea5t kh\u00e1c: \u1ea5m, m\u1ec1m, th\u1edf \u0111\u01b0\u1ee3c. \u00c1nh s\u00e1ng kh\u00f4ng ph\u1ea3n chi\u1ebfu ch\u00f3i g\u1eaft m\u00e0 th\u1ea5m qua t\u1eebng l\u1edbp v\u1eadt li\u1ec7u t\u1ef1 nhi\u00ean. Kh\u00f4ng kh\u00ed kh\u00f4ng b\u1ecb ch\u1eb7n l\u1ea1i b\u1edfi nh\u1eefng b\u1ec1 m\u1eb7t l\u1ea1nh, m\u00e0 l\u01b0u chuy\u1ec3n qua c\u00e1c hi\u00ean, c\u00e1c c\u1eeda, c\u00e1c kho\u1ea3ng tr\u1ed1ng.<\/p>\n

\u0110\u00f3 kh\u00f4ng ch\u1ec9 l\u00e0 m\u1ed9t l\u1ef1a ch\u1ecdn th\u1ea9m m\u1ef9. \u0110\u00f3 l\u00e0 m\u1ed9t l\u1ef1a ch\u1ecdn v\u0103n h\u00f3a.<\/p>\n

\n\t\t\t\t\"\"\n\t<\/figure>\n\t

Boi Tran Garden, in itself, is a form of living heritage.<\/p>\n\t

Trong b\u1ed1i c\u1ea3nh m\u00e0 \u0111\u00f4 th\u1ecb h\u00f3a \u0111ang l\u00e0m cho kh\u00f4ng gian s\u1ed1ng ng\u00e0y c\u00e0ng tr\u1edf n\u00ean c\u1ee9ng v\u00e0 k\u00edn, nh\u1eefng nh\u00e0 v\u01b0\u1eddn c\u1ee7a B\u1ed9i Tr\u00e2n g\u1ee3i l\u1ea1i m\u1ed9t kh\u1ea3 n\u0103ng kh\u00e1c: s\u1ed1ng ch\u1eadm, s\u1ed1ng s\u00e2u, s\u1ed1ng h\u00e0i h\u00f2a.<\/p>\n

In them, one recognises the meeting of artist and space. The women in her paintings carry a profound inward stillness. The houses she creates carry the same quality. It is a stillness charged with energy, the kind that gently lowers one’s voice, slows one’s steps, and invites one to remain.<\/p>\n

Hu\u1ebf t\u1eeb l\u00e2u l\u00e0 \u0111\u00f4 th\u1ecb c\u1ee7a v\u01b0\u1eddn. Nh\u01b0ng \u0111\u1ec3 nh\u00e0 v\u01b0\u1eddn ti\u1ebfp t\u1ee5c s\u1ed1ng trong \u0111\u1eddi s\u1ed1ng hi\u1ec7n \u0111\u1ea1i, n\u00f3 c\u1ea7n nh\u1eefng ng\u01b0\u1eddi bi\u1ebft hi\u1ec3u tinh th\u1ea7n c\u1ee7a n\u00f3, ch\u1ee9 kh\u00f4ng ch\u1ec9 ph\u1ee5c d\u1ef1ng h\u00ecnh th\u1ee9c b\u00ean ngo\u00e0i. B\u1ed9i Tr\u00e2n \u0111\u00e3 l\u00e0m \u0111i\u1ec1u \u0111\u00f3 b\u1eb1ng ch\u00ednh \u0111\u1eddi s\u1ed1ng c\u1ee7a m\u00ecnh.<\/p>\n

\n\t\t\t\t\"\"\n\t<\/figure>\n\t

The art gallery of Boi Tran Garden.<\/p>\n\t

B\u00e0 s\u1ed1ng nh\u01b0 c\u00e1ch b\u00e0 v\u1ebd. V\u00e0 b\u00e0 ki\u1ebfn t\u1ea1o kh\u00f4ng gian nh\u01b0 c\u00e1ch b\u00e0 gi\u1eef g\u00ecn v\u1ebb \u0111\u1eb9p Hu\u1ebf: kh\u00f4ng \u1ed3n \u00e0o, kh\u00f4ng tuy\u00ean ng\u00f4n, nh\u01b0ng b\u1ec1n b\u1ec9, v\u00e0 h\u1ebft s\u1ee9c c\u1ea7u to\u00e0n, c\u1ea7u to\u00e0n \u0111\u1ebfn s\u1ef1 ho\u00e0n h\u1ea3o.<\/p>\n

One spring afternoon at Kim S\u01a1n, as light falls through leaves and touches the old tiled roofs, it becomes clear: if the beauty of a heritage city lies not only in monumental structures but also in spaces that sustain its spirit, then B\u1ed9i Tr\u00e2n’s garden houses must be regarded as living heritage.<\/p>\n

M\u1ed9t di s\u1ea3n \u0111\u01b0\u1ee3c t\u1ea1o n\u00ean b\u1edfi m\u1ed9t ng\u01b0\u1eddi \u0111\u00e0n b\u00e0 t\u1eebng l\u00e0 n\u00e0ng th\u01a1 c\u1ee7a ngh\u1ec7 thu\u1eadt, v\u00e0 r\u1ed3i ch\u00ednh m\u00ecnh tr\u1edf th\u00e0nh m\u1ed9t ngh\u1ec7 thu\u1eadt.<\/p>\n

V\u00e0 trong kh\u00f4ng gian \u1ea5y, Hu\u1ebf hi\u1ec7n ra kh\u00f4ng ph\u1ea3i nh\u01b0 m\u1ed9t k\u00fd \u1ee9c \u0111\u00e3 qua, m\u00e0 nh\u01b0 m\u1ed9t gi\u1ea5c m\u01a1 \u0111ang ti\u1ebfp t\u1ee5c \u0111\u01b0\u1ee3c v\u1ebd: b\u1eb1ng g\u1ed7, b\u1eb1ng ng\u00f3i, b\u1eb1ng c\u00e2y l\u00e1, b\u1eb1ng \u00e1nh s\u00e1ng, v\u00e0 b\u1eb1ng m\u1ed9t t\u00e2m h\u1ed3n r\u1ea5t Hu\u1ebf.<\/p>\n

Ng\u1eafm khu v\u01b0\u1eddn, t\u00f4i tin v\u00e0o t\u01b0\u01a1ng lai.<\/p>\n

M\u00f9ng 5 t\u1ebft B\u00ednh Ng\u1ecd<\/p>\nPhan Thanh H\u1ea3i
\nGi\u00e1m \u0111\u1ed1c, S\u1edf V\u0103n ho\u00e1 v\u00e0 Th\u1ec3 thao, Th\u00e0nh ph\u1ed1 Hu\u1ebf, Vi\u1ec7t Nam\n\t

Source: https:\/\/tapchiketoankiemtoan.vn\/nguoi-dan-ba-ve-giac-mo-hue-d5812.html<\/a><\/p>","protected":false},"excerpt":{"rendered":"

B\u1ed9i Tr\u00e2n m\u1edf r\u1ed9ng th\u1ef1c h\u00e0nh c\u1ee7a m\u00ecnh v\u01b0\u1ee3t ra ngo\u00e0i h\u1ed9i ho\u1ea1, h\u01b0\u1edbng t\u1edbi vi\u1ec7c t\u00e1i ki\u1ebfn t\u1ea1o kh\u00f4ng gian c\u1ee7a \u00fd th\u1ee9c th\u1ea9m m\u1ef9 Hu\u1ebf. T\u1ea1i \u0111\u1ed3i Thi\u00ean An v\u00e0 \u0111\u1ed3i Kim S\u01a1n, b\u00e0 di\u1ec5n gi\u1ea3i l\u1ea1i nh\u00e0 r\u01b0\u1eddng truy\u1ec1n th\u1ed1ng trong m\u1ed9t c\u1ea5u tr\u00fac khu v\u01b0\u1eddn \u0111\u01b0\u01a1ng \u0111\u1ea1i.\n\nVi\u1ec7c s\u1eed d\u1ee5ng g\u1ed7, g\u1ea1ch, ng\u00f3i v\u00e0 \u0111\u00e1, c\u00f9ng s\u1ef1 ti\u1ebft ch\u1ebf \u0111\u1ed1i v\u1edbi th\u00e9p v\u00e0 b\u00ea t\u00f4ng, kh\u00f4ng ph\u1ea3i l\u00e0 m\u1ed9t ho\u00e0i ni\u1ec7m, m\u00e0 l\u00e0 m\u1ed9t l\u1eadp tr\u01b0\u1eddng v\u0103n ho\u00e1. V\u1edbi b\u00e0, ki\u1ebfn tr\u00fac kh\u00f4ng \u0111\u01b0\u1ee3c \u0111\u1eb7t l\u00ean m\u1eb7t \u0111\u1ea5t, m\u00e0 \u0111\u01b0\u1ee3c g\u1eafn v\u00e0o trong \u0111\u00f3. Di s\u1ea3n, v\u00ec v\u1eady, kh\u00f4ng t\u1ed3n t\u1ea1i qua s\u1ef1 l\u1eb7p l\u1ea1i h\u00ecnh th\u1ee9c, m\u00e0 qua s\u1ef1 ti\u1ebfp n\u1ed1i c\u1ee7a tinh th\u1ea7n.<\/p>","protected":false},"author":4,"featured_media":7859,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23,25,9],"tags":[90,91,17,165],"class_list":["post-7857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","category-culture","category-stories","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-phan-thanh-hai"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/7857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=7857"}],"version-history":[{"count":5,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/7857\/revisions"}],"predecessor-version":[{"id":7864,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/7857\/revisions\/7864"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/7859"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=7857"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=7857"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=7857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}