{"id":8278,"date":"2015-10-22T17:30:37","date_gmt":"2015-10-22T17:30:37","guid":{"rendered":"https:\/\/boitran.com\/?p=8278"},"modified":"2026-05-10T15:01:20","modified_gmt":"2026-05-10T15:01:20","slug":"boi-tran-hue-elegance-or-the-quiet-strength-of-hue-boi-tran-and-the-interior-world-of-beauty","status":"publish","type":"post","link":"https:\/\/boitran.com\/vi\/boi-tran-hue-elegance-or-the-quiet-strength-of-hue-boi-tran-and-the-interior-world-of-beauty\/","title":{"rendered":"B\u1ed9i Tr\u00e2n \u2013 M\u1ed9t V\u1ebb \u0110\u1eb9p Hu\u1ebf, hay S\u1ee9c M\u1ea1nh Th\u1ea7m L\u1eb7ng c\u1ee7a Hu\u1ebf: B\u1ed9i Tr\u00e2n v\u00e0 Th\u1ebf Gi\u1edbi N\u1ed9i T\u00e2m c\u1ee7a C\u00e1i \u0110\u1eb9p"},"content":{"rendered":"<h2>\n\t\t\tBoi Tran &#8211; Hue Elegance, or The Quiet Strength of Hue: Boi Tran and the Interior World of Beauty\t<\/h2>\n<h5  data-animation-delay=\"0\" data-animation-duration=\"1\">\n\t\t\tHUE TV (TRT)\t<\/h5>\n\t<p>B\u1ed9 phim t\u00e0i li\u1ec7u c\u1ee7a TRT n\u0103m 2015 v\u1ec1 H\u1ecda s\u0129 B\u1ed9i Tr\u00e2n \u0111\u00e3 nh\u00ecn Hu\u1ebf kh\u00f4ng nh\u01b0 c\u1ea3nh t\u01b0\u1ee3ng ph\u00f4 b\u00e0y, m\u00e0 nh\u01b0 m\u1ed9t b\u1ea7u kh\u00ed v\u0103n h\u00f3a \u0111\u01b0\u1ee3c t\u1ea1o n\u00ean t\u1eeb h\u1ed9i h\u1ecda, k\u00fd \u1ee9c, \u1ea9m th\u1ef1c, n\u1eef t\u00ednh Hu\u1ebf v\u00e0 thi v\u1ecb ch\u1eadm r\u00e3i c\u1ee7a \u0111\u1eddi s\u1ed1ng tr\u00ean \u0111\u1ed3i Thi\u00ean An. T\u1ea1i Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n, ngh\u1ec7 thu\u1eadt ch\u01b0a bao gi\u1edd t\u00e1ch r\u1eddi \u0111\u1eddi s\u1ed1ng. Nh\u1eefng ng\u00f4i nh\u00e0 c\u1ed5, l\u1ed1i \u0111i quanh v\u01b0\u1eddn, tranh v\u1ebd, g\u1ed1m c\u1ed5 v\u00e0 s\u1ef1 t\u0129nh l\u1eb7ng c\u00f9ng hi\u1ec7n di\u1ec7n nh\u01b0 m\u1ed9t s\u1ef1 ti\u1ebfp n\u1ed1i s\u1ed1ng \u0111\u1ed9ng h\u01a1n l\u00e0 ph\u1ee5c d\u1ef1ng qu\u00e1 kh\u1ee9.<\/p>\n\t\t<iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/845475138?badge=0&amp;autopause=0&amp;player_id=0&amp;app_id=58479\" width=\"854\" height=\"480\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" title=\"HUE TV (TRT) | Boi Tran - Hue Elegance, or The Quiet Strength of Hue: Boi Tran and the Interior World of Beauty\"><\/iframe>\t\n\t<p>C\u00f3 nh\u1eefng n\u01a1i \u1edf Hu\u1ebf m\u00e0 v\u1ebb \u0111\u1eb9p kh\u00f4ng hi\u1ec7n ra ngay t\u1ee9c kh\u1eafc. N\u00f3 b\u1ed9c l\u1ed9 ch\u1eadm r\u00e3i, qua gi\u1ecdng n\u00f3i, c\u1eed ch\u1ec9, s\u1ef1 ti\u1ebfp \u0111\u00e3i, n\u00e9t ti\u1ebft ch\u1ebf v\u00e0 nh\u1ecbp s\u1ed1ng th\u01b0\u1eddng nh\u1eadt. B\u1ed9 phim t\u00e0i li\u1ec7u c\u1ee7a TRT n\u0103m 2015 v\u1ec1 H\u1ecda s\u0129 B\u1ed9i Tr\u00e2n \u0111\u00e3 ti\u1ebfp c\u1eadn Hu\u1ebf ch\u00ednh t\u1eeb c\u1ea3m quan \u1ea5y: kh\u00f4ng qua t\u00ednh \u0111\u1ed3 s\u1ed9 c\u1ee7a di t\u00edch, m\u00e0 qua phong c\u1ea3nh \u0111\u1ea1o l\u00fd v\u00e0 n\u1ed9i t\u00e2m \u0111\u01b0\u1ee3c l\u01b0u gi\u1eef trong m\u1ed9t ng\u01b0\u1eddi ph\u1ee5 n\u1eef, m\u1ed9t khu v\u01b0\u1eddn v\u00e0 m\u1ed9t \u0111\u1eddi s\u1ed1ng h\u00ecnh th\u00e0nh t\u1eeb ngh\u1ecb l\u1ef1c, ngh\u1ec7 thu\u1eadt v\u00e0 k\u00fd \u1ee9c.<\/p>\n<p>B\u1ed9 phim di chuy\u1ec3n gi\u1eefa \u0111\u1ed1i tho\u1ea1i v\u00e0 quan s\u00e1t. Nh\u1eefng tr\u00e1i c\u00e2y h\u00e1i trong v\u01b0\u1eddn, nh\u1eefng b\u1eefa \u0103n gi\u1ea3n d\u1ecb \u0111\u01b0\u1ee3c chu\u1ea9n b\u1ecb b\u1eb1ng s\u1ef1 ch\u0103m ch\u00fat, nh\u1eefng ng\u00f4i nh\u00e0 c\u1ed5 khu\u1ea5t d\u01b0\u1edbi t\u00e1n c\u00e2y, tranh treo c\u1ea1nh g\u1ed1m c\u1ed5 v\u00e0 hi\u1ec7n v\u1eadt x\u01b0a: t\u1ea5t c\u1ea3 h\u1ee3p th\u00e0nh kh\u00f4ng ph\u1ea3i m\u1ed9t h\u00ecnh \u1ea3nh Hu\u1ebf \u0111\u01b0\u1ee3c d\u00e0n d\u1ef1ng, m\u00e0 l\u00e0 m\u1ed9t Hu\u1ebf \u0111ang \u0111\u01b0\u1ee3c s\u1ed1ng.<\/p>\n<p>One remark within the programme quietly defines the emotional structure of the film. Boi Tran speaks of food grown within her own garden: &#8220;It tastes better because it has feeling.&#8221; The sentence appears simple, yet it reveals a larger philosophy, one in which beauty is inseparable from labour, intimacy, and lived experience.<\/p>\n<p>Phim t\u00e0i li\u1ec7u c\u1ee7a TRT nhi\u1ec1u l\u1ea7n tr\u1edf l\u1ea1i v\u1edbi \u00fd ni\u1ec7m v\u1ec1 n\u1eef t\u00ednh Hu\u1ebf. Kh\u00f4ng ph\u1ea3i nh\u01b0 m\u1ed9t khu\u00f4n m\u1eabu, m\u00e0 nh\u01b0 m\u1ed9t kh\u00ed ch\u1ea5t: d\u1ecbu d\u00e0ng \u0111i c\u00f9ng ch\u1ecbu \u0111\u1ef1ng, thanh nh\u00e3 \u0111\u01b0\u1ee3c h\u00ecnh th\u00e0nh qua hy sinh, ti\u1ebft ch\u1ebf nh\u01b0ng mang n\u1ed9i l\u1ef1c \u00e2m th\u1ea7m. B\u1ed9i Tr\u00e2n hi\u1ec7n ra kh\u00f4ng ch\u1ec9 nh\u01b0 m\u1ed9t h\u1ecda s\u0129, m\u00e0 nh\u01b0 m\u1ed9t ng\u01b0\u1eddi ph\u1ee5 n\u1eef Hu\u1ebf \u0111i\u1ec3n h\u00ecnh, n\u01a1i nh\u1eefng \u0111\u1ed1i c\u1ef1c \u1ea5y c\u00f9ng t\u1ed3n t\u1ea1i.<\/p>\n<p>L\u1eddi b\u00ecnh trong \u0111o\u1ea1n t\u01b0 li\u1ec7u nh\u1eafc r\u1eb1ng khu nh\u00e0 v\u01b0\u1eddn m\u1edf c\u1eeda n\u0103m 2000 tr\u00ean \u0111\u1ed3i Thi\u00ean An l\u00e0 m\u1ed9t trong nh\u1eefng qu\u1ea7n th\u1ec3 nh\u00e0 v\u01b0\u1eddn phong c\u00e1ch Hu\u1ebf \u0111\u1ea7u ti\u00ean \u0111\u01b0\u1ee3c g\u00e2y d\u1ef1ng b\u1edfi m\u1ed9t n\u1eef ngh\u1ec7 s\u0129 v\u00e0 nh\u00e0 s\u01b0u t\u1eadp t\u01b0 nh\u00e2n. Nh\u01b0ng t\u01b0 li\u1ec7u kh\u00f4ng h\u1ec1 t\u1ea1o c\u1ea3m gi\u00e1c ph\u00f4 tr\u01b0\u01a1ng chi\u1ebfn th\u1eafng. Th\u00e0nh t\u1ef1u ch\u01b0a bao gi\u1edd t\u00e1ch r\u1eddi kh\u1ecfi gian kh\u00f3.<\/p>\n<p>Several of the documentary&#8217;s most affecting passages emerge when speaking of loss. The death of her son is approached with extraordinary restraint. The house itself becomes a vessel of memory, carrying grief without spectacle. Art appears here not as decoration, but as survival.<\/p>\n<p>B\u1ed9i Tr\u00e2n n\u00f3i th\u1eb3ng v\u1ec1 gian nan, v\u1ec1 nh\u1eefng n\u0103m th\u00e1ng t\u1ef1 h\u1ecdc h\u1ed9i h\u1ecda, v\u1ec1 vi\u1ec7c s\u01b0u t\u1eadp tranh khi ch\u01b0a c\u00f3 \u0111i\u1ec1u ki\u1ec7n, v\u1ec1 nh\u1eefng ng\u00e0y qu\u00ean \u0103n b\u00ean gi\u00e1 v\u1ebd. \u0110o\u1ea1n phim t\u01b0 li\u1ec7u hi\u1ec3u r\u1eb1ng ch\u00ednh nh\u1eefng tr\u1ea3i nghi\u1ec7m \u1ea5y kh\u00f4ng th\u1ec3 t\u00e1ch r\u1eddi kh\u1ecfi chi\u1ec1u s\u00e2u c\u1ea3m x\u00fac sau n\u00e0y hi\u1ec7n di\u1ec7n trong tranh c\u1ee7a b\u00e0. \u0110au kh\u1ed5, trong c\u00e2u chuy\u1ec7n n\u00e0y, kh\u00f4ng \u0111\u01b0\u1ee3c thi v\u1ecb h\u00f3a. N\u00f3 \u0111\u01b0\u1ee3c chuy\u1ec3n h\u00f3a.<\/p>\n<p>M\u1ed9t chi\u1ec1u k\u00edch quan tr\u1ecdng kh\u00e1c c\u1ee7a b\u1ed9 phim th\u1ef1c hi\u1ec7n b\u1edfi TRT n\u1eb1m \u1edf c\u00e1ch hi\u1ec3u v\u0103n h\u00f3a Hu\u1ebf. Hu\u1ebf kh\u00f4ng ch\u1ec9 \u0111\u01b0\u1ee3c nh\u00ecn qua ki\u1ebfn tr\u00fac hay b\u1ea3o t\u1ed3n di s\u1ea3n. Hu\u1ebf \u0111\u01b0\u1ee3c hi\u1ec3u nh\u01b0 m\u1ed9t l\u1ed1i s\u1ed1ng: ti\u1ebft \u0111\u1ed9, h\u01b0\u1edbng n\u1ed9i, ph\u1ea9m gi\u00e1, s\u1ef1 tinh t\u1ebf tr\u01b0\u1edbc c\u00e1i \u0111\u1eb9p v\u00e0 kh\u1ea3 n\u0103ng gi\u1eef \u0111\u01b0\u1ee3c s\u1ef1 \u0111i\u1ec1m t\u0129nh tinh th\u1ea7n ngay trong gian kh\u00f3.<\/p>\n<p>The film&#8217;s closing reflections are perhaps its most revealing. Boi Tran is described as a woman who carries within herself &#8220;a private world,&#8221; despite friendships and recognition extending far beyond Vietnam. The phrase is important. It suggests that the essence of the garden does not lie in public reputation, but in the preservation of an inner life.<\/p>\n<p>Su\u1ed1t \u0111o\u1ea1n t\u01b0 li\u1ec7u, ch\u00ednh Hu\u1ebf d\u1ea7n tr\u1edf n\u00ean kh\u00f4ng th\u1ec3 t\u00e1ch r\u1eddi kh\u1ecfi th\u1ebf gi\u1edbi n\u1ed9i t\u00e2m \u1ea5y. Nh\u00e0 v\u01b0\u1eddn, \u1ea9m th\u1ef1c, h\u1ed9i h\u1ecda, s\u1ef1 ti\u1ebfp \u0111\u00e3i, t\u0129nh l\u1eb7ng, hy sinh v\u00e0 ngh\u1ecb l\u1ef1c n\u1eef gi\u1edbi c\u00f9ng h\u00f2a v\u00e0o nhau th\u00e0nh m\u1ed9t b\u1ea7u kh\u00ed v\u0103n h\u00f3a th\u1ed1ng nh\u1ea5t.<\/p>\n<p>Theo ngh\u0129a \u1ea5y, b\u1ed9 phim t\u00e0i li\u1ec7u c\u1ee7a TRT ch\u01b0a bao gi\u1edd ch\u1ec9 l\u00e0 ch\u00e2n dung v\u1ec1 m\u1ed9t h\u1ecda s\u0129. N\u00f3 l\u00e0 m\u1ed9t suy ni\u1ec7m v\u1ec1 c\u00e1ch v\u0103n h\u00f3a t\u1ed3n t\u1ea1i nh\u1edd nh\u1eefng con ng\u01b0\u1eddi v\u1eabn ti\u1ebfp t\u1ee5c s\u1ed1ng tr\u1ecdn v\u1eb9n v\u1edbi n\u00f3, \u00e2m th\u1ea7m v\u00e0 kh\u00f4ng h\u1ec1 t\u00e1ch r\u1eddi ngh\u1ec7 thu\u1eadt kh\u1ecfi \u0111\u1eddi s\u1ed1ng.<\/p>\n<p>T\u1ea1i Nh\u00e0 V\u01b0\u1eddn B\u1ed9i Tr\u00e2n, Hu\u1ebf hi\u1ec7n ra kh\u00f4ng nh\u01b0 n\u1ed7i ho\u00e0i ni\u1ec7m v\u1ec1 m\u1ed9t th\u1ebf gi\u1edbi \u0111\u00e3 m\u1ea5t, m\u00e0 nh\u01b0 m\u1ed9t s\u1ef1 tinh luy\u1ec7n s\u1ed1ng \u0111\u1ed9ng v\u1eabn c\u00f2n \u0111\u1ee7 s\u1ee9c \u0111\u1ecbnh h\u00ecnh hi\u1ec7n di\u1ec7n con ng\u01b0\u1eddi h\u00f4m nay.<\/p>\n\t<p>T\u01b0 li\u1ec7u truy\u1ec1n h\u00ecnh l\u01b0u tr\u1eef do \u0110\u00e0i Ph\u00e1t thanh v\u00e0 Truy\u1ec1n h\u00ecnh Hu\u1ebf (TRT) th\u1ef1c hi\u1ec7n (2015).<\/p>","protected":false},"excerpt":{"rendered":"<p>The 2015 HUE TV (TRT) documentary on Artist Boi Tran approached Hue not as spectacle, but as atmosphere, a world shaped by painting, memory, cuisine, feminine resilience, and the slow poetry of daily life on Thien An Hill. At Boi Tran Garden, art was never separated from existence. Old houses, winding garden paths, paintings, ceramics, and silence formed a living continuity rather than a reconstruction of the past.<\/p>","protected":false},"author":4,"featured_media":8282,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[188,185,183,189,184,9],"tags":[90,91,17,182],"class_list":["post-8278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-architecture","category-archive","category-art","category-cuisine","category-culture","category-publications","tag-boi-tran","tag-boi-tran-art-gallery","tag-boi-tran-garden","tag-trt"],"_links":{"self":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/8278","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/comments?post=8278"}],"version-history":[{"count":4,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/8278\/revisions"}],"predecessor-version":[{"id":8284,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/posts\/8278\/revisions\/8284"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media\/8282"}],"wp:attachment":[{"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/media?parent=8278"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/categories?post=8278"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/boitran.com\/vi\/wp-json\/wp\/v2\/tags?post=8278"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}