French collector Melchior Dejouany once called discovering pictorial lacquer “one of the most beautiful revelations” of his life. That revelation began with a painting by Boi Tran, luminous, quiet, and unforgettable, seen at Christie’s Hong Kong in 2012. In her layered technique, he found something deeper: feeling, stillness, soul. Her work opened not just a door into Vietnamese art, but into a story, one that continues across generations, bound by vision, tenderness, and the quiet power of beauty that travels and connects across oceans.
Tag: <span>Luong Xuan Nhi</span>
Christie’s Paris | The Phoenix Glue and the Broken Silk Thread: Important Vietnamese Artworks from the Melchior Dejouany Collection
The Melchior Dejouany Collection showcases the brilliance of Vietnamese masters: Nguyen Gia Tri’s layered lacquer dreams, Le Pho’s elegant silks, and Vu Cao Dam’s poetic forms. And yet, it began with a single painting by Boi Tran, a quiet work of lacquer that spoke not of grandeur, but of grace. It was her voice, contemporary, contemplative, deeply human, that first drew him in. Among legends, her presence is not loud; it is luminous.
Mai Van Hien, Sketcher of the First Banknote for Vietnam and His Letter to Boi Tran and Boi Tran Art Gallery in 1998
I hope the gallery will cooperate and work side by side with a humbled semi skilled and below average painter who, 60 years ago (not so many), was trained and educated in a city of exquisite sceneries and graceful people, Hue.