In the hush that follows ruin, some shout; others whisper. Boi Tran paints. The Élégantes de Hue, seven women in flowing áo dài, do not ask to be seen; they endure, as Hue endured. Wounded, quiet, and radiant. Their beauty is not spectacle, but refuge. Melchior Dejouany’s journey into Vietnamese art began not with grandeur, but with the quiet soul of Boi Tran’s lacquer.
Among lacquer and legacy, her work is not loud. It is lasting.
French collector Melchior Dejouany once called discovering pictorial lacquer “one of the most beautiful revelations” of his life. That revelation began with a painting by Boi Tran, luminous, quiet, and unforgettable, seen at Christie’s Hong Kong in 2012. In her layered technique, he found something deeper: feeling, stillness, soul. Her work opened not just a door into Vietnamese art, but into a story, one that continues across generations, bound by vision, tenderness, and the quiet power of beauty that travels and connects across oceans.
The Melchior Dejouany Collection showcases the brilliance of Vietnamese masters: Nguyen Gia Tri’s layered lacquer dreams, Le Pho’s elegant silks, and Vu Cao Dam’s poetic forms. And yet, it began with a single painting by Boi Tran, a quiet work of lacquer that spoke not of grandeur, but of grace. It was her voice, contemporary, contemplative, deeply human, that first drew him in. Among legends, her presence is not loud; it is luminous.
On the occasion of the exhibition “Nature and People from an Old Outlook" by Artist Nguyen Viet Hai and Artist Tran Luu Hau hosted and organized by Vietnamese Fine Art Association in 2001.
Even if small or not, this art gallery is a monument in the city; its appearance will be remembered for ever. Returning to the old city…, to this art gallery, one feels that as he or she is coming back to see a sweetheart, who one will miss and love and never forget for a moment.
Once no art exhibitions have been organized with their actual sense; there would not have been any complete, conventional conformality to the land and her history.
Boi Tran, with a sensible heart and the gifted talent of an artist, fully perceives the artistic and literary beauty of nature that comes right out from her magnificent garden and then conveys that beauty most aesthetically to her works.
It can be briefly said that the painting exhibition that The Boi Tran Art Gallery brings to us from Hue is a poetic picture of Hue, a poem composed by the talent in Hue.
Boi Tran, the only Vietnamese female artist, has her work presented in this exceptional sale.
Boi Tran is one of the few outstanding Vietnamese female artists. Her style is heavily influenced by her teacher, Nguyen Trung and she also served as a source of creative inspiration for Nguyen Trung's works. Tran's Elegant in Hue trilogy is presented in a classical European triptych form. They depict a group of beautiful goddesses strolling, sitting and dancing in a glorious garden.
