“Mother and Children” fetched approximately USD 10,000 at Christie’s Hong Kong on May 26, 2013. Boi Tran is only the second Vietnamese female painter, the other being Le Thi Luu (1911 – 1988), selected by the two prestigious international auction houses Sotheby’s and Christie’s.
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Some evenings are remembered for refinement. Others for conversation. A rare few endure because those present felt, however briefly, entirely understood. The visit of Dr. Uri D. Herscher to Boi Tran Garden in March 2018 belongs to that quieter category.
There are moments that do not announce themselves, and yet remain. One such moment unfolded quietly at Boi Tran Garden, where a small gathering of Buddhist masters paused within its stillness. Nothing had been arranged; nothing needed to be. In that shared quiet, a poem was offered, not as tribute, but as recognition, a reflection on how a life, shaped by time and experience, comes to rest in grace.
In October 2017, Mr Zhang Zhi Yong, President of the Shanghai Pujiang Southeast Asia Culture and Art Exchange Center, and Mrs Zhang Jing came to Boi Tran Garden to celebrate Boi Tran’s solo exhibition Le Rêve Qui Veille (The Watchful Dream). Their visit reflected a larger conversation between Hue, Shanghai, and the growing international regard for Vietnamese art.
There is no place without a history. There is no history without a place. There are places without measure, and histories beyond all time. Elegant moments and secret places. Patches of eternity and jolted thoughts. To verify this, one must know Boi Tran.
In 2017, through the VTV8 feature The Elegance Of Hue Continues At Boi Tran Garden, Boi Tran Garden appeared not as spectacle, but as a lived continuation of Hue itself, where garden paths, old houses, paintings, ceramics, and silence formed a single cultural atmosphere.
On 16 March 2017, Boi Tran Garden welcomed two distinguished American guests: William Drea “Bro” Adams, then Chair of the National Endowment for the Humanities, and entrepreneur-philanthropist Joe Boulos. What began as dinner became one of those rare evenings when thought, memory, hospitality and shared curiosity extended naturally beyond the table. Later, Adams would write simply: “It will certainly be one of the highlights of our trip.”
In 2016, the Royal Ontario Museum addressed a letter to Boi Tran as part of its Indochina cultural tour, marking a moment in which an institutional journey extended beyond its own structures to encounter a space where art and life remain inseparable.
Boi Tran Garden is privileged to welcome a cultural exchange between the Vietnamese and Singaporean delegations, unfolding not as a formal event, but as a moment of shared presence. The occasion brought together H.E. Le Hoai Trung, Member of the Politburo of the Communist Party of Vietnam, Secretary of the Party Committee, Minister of Foreign Affairs of the Socialist Republic of Vietnam, Member of the National Defence and Security Council, and Member of the National Assembly (16th legislature); Mr Ng Teck Hean, Deputy Secretary (Asia-Pacific), Ministry of Foreign Affairs of Singapore and Ambassador of Singapore to the Socialist Republic of Vietnam; Mr Nguyen Van Cao, Chairman of the Thua Thien Hue Provincial People’s Committee; and painter Boi Tran, whose convergence reflected a meeting point between diplomacy and cultural stewardship.
In 2016, during the 250th anniversary year of Christie’s, a landmark sale devoted to Vietnamese art was presented in Hong Kong under the title Se Souvenir Des Belles Choses. Among those contributing behind the scenes was Thuc Doan, recognised as the first Vietnamese woman to assist Christie’s in such a capacity as translator, advisor and cultural interlocutor.
